If The Post was little more than a piece of agitprop beating the drums for the value of a free press in a democracy, it would more than justify its reason for being. The fact that it is so much more is a testament to the skills of director Steven Spielberg and the talents of…
Matthew McConaughey (“Interstellar”) stars in Gold, a dreary rags-to-riches-to-rags-to-riches-to-rags tale directed by Stephen Gaghan (“Syriana”) that, while the Academy Award-winning actor (for “Dallas Buyers Club”) gives a passionate, above average performance (along with a perky Bryce Dallas Howard, “Pete’s Dragon”) in, the narrative of a 1980s mining company striking it rich is often muddled and…
Perhaps naming a motion picture Truth is opening the door to criticism over the real validity of its contents — more so when the film is based on true events and events that are still relevant in the public conscious, no less. But regardless of some of its debatable content, James Vanderbilt’s directorial debut admirably…
God did I want to like Wildlike — I really, really wanted to. Let me tell you why. Though I’ll not bore you with unnecessary details, I should elaborate on such a self-absorbed claim: I am a seriously superstitious soul. “Seriously” is, in all truth, almost a euphemism in this context, but I rather drown…
Whatever happened to Atom Egoyan? Or, more specifically, his artistic credibility? The Canadian filmmaking icon who once strung together a stunning run of acclaimed, focused works in the 90s, including “Exotica,” “The Sweet Hereafter,” and “Felicia’s Journey” has been slumming it of late. Swapping his trademark air of chilly mystery for easily digestible predictability and…
As the acting Captain of the U.S.S. Enterprise, Hikaru Sulu (John Cho, “A Very Harold & Kumar 3D Christmas”) barked orders at an incorrigible outlaw of the Federation, John Harrison (Benedict Cumberbatch, “Tinker Tailor Soldier Spy”), chills ran down my spine, and I sat in awe of the radiant visual effects. But that was no…
A deft touch turns into a heavy hand in Derek Cianfrance’s big, bruised follow-up to his quietly brilliant masterwork “Blue Valentine.” His latest is a conflicted drama about fathers and sons and fate and bad decisions and maybe even ice cream. The Place Beyond the Pines is an admirably ambitious project that clobbers its themes…
