Colman Domingo

Movie Review: Candyman (2021)

Candyman begins with inversion, as the studio logos of Universal, Monkeypaw Productions and MGM are presented in reverse. From here, we move into low-angled shots of the Chicago skyline. These imposing buildings express wealth, power and privilege, but rather towering over the viewer, they are inverted, viewed from above. Clouds wreath the building crests but…

Movie Review: Ma Rainey’s Black Bottom (2020)

The second of his 12 plays dramatizing the Black experience in America during the twentieth century, August Wilson’s Ma Rainey’s Black Bottom is a haunting and powerful experience that focuses on Gertrude “Ma Rainey” (Viola Davis, “Widows”), known as “The Mother of the Blues,” one of the first popular Black blues singers to gain acceptance…

Movie Review: If Beale Street Could Talk (2018)

There is no doubt about the forces at hand when combining the potent artistry of Oscar-winning filmmaker Barry Jenkins’ (“Moonlight”) relentless creative cinematic vision and the social messaging of the late great James Baldwin’s raw, elegantly written work. Thankfully, the result is the soulful and artfully penetrating drama If Beale Street Could Talk . ….

Movie Review: All is Bright (2013)

At first I was going to start my review of All is Bright by remarking that Paul Rudd has the worst Canadian accent I’ve ever heard spoken by a Canadian. Then I realized he was born up the street from me in New Jersey, so that blew that observation out of the water. Now, I’ll…

Movie Trailer: All is Bright (2013)

The first and probably only trailer for the indie dramedy All is Bright has been made available by Anchor Bay Films. It’s got a heartwarming vibe going for it, as Paul Giamatti tackles the role of an ex-con trying like hell to get back on the right path. He’s got a rough road ahead of…

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