A high school student’s essay discussing radical philosopher Frantz Fanon’s belief in the necessity of violence by oppressed people raises certain eyebrows in Nigerian director Julius Onah’s (“The Cloverfield Paradox”) thought-provoking but over-determined Luce, a drama about race that challenges us to impose our own expectations on the main character. Onah says that, “Every other…
Set in post World War II Mississippi, Mudbound — based on Hillary Jordan’s Bellwether Prize-winning novel — tells the story of Henry and Laura McAllan, a white farming family, and Hap and Florence Jackson, the black sharecroppers who live on and work their land. Both families have — among other similarities and commonalities — relatives…
As rendered in the gut-wrenching “Krisha,” director Trey Edward Shults’ debut film, those with blood ties are hornets that can sting more than their natural counterpart. The within-is-more-volatile notion is elevated in Shults’ second outing, It Comes at Night, that takes place in a world upturned by an unnamed disease. For a while now, 17-year-old…
