Gone are the days of 1970s-style “Jiggle TV” . . . you know, that endearing media term reserved for the boob-tube, pop-cultural guilty pleasure that the late mega-television producer Aaron Spelling eagerly supplied to prime time viewers? With it, the ABC network struck a goldmine with the curvy, cops-turned-private investigators from the Townsend Agency in…
“We are not lost, we are just finding our way” — Stephen Meek, “Meek’s Cutoff” As depicted in “Wendy and Lucy” and “Meek’s Cutoff,” Kelly Reichardt’s characters are lost without a significant guidepost to hold on to, adrift in a society in which they struggle to fit in. Based on short stories from the 2009…
Philosopher Henri Bergson said that once people begin sensing that something is amiss and start looking for answers, “inner knowledge and anomalous outer experiences show them a side of reality others are oblivious to […]” In Personal Shopper, French director Olivier Assayas (“Clouds of Sils Maria”) succeeds in reminding us, as Shakespeare suggested, that there…
Times are tough. These times I mean. Or rather, Tim Blake Nelson does, or seems to do in his Anesthesia. These are times of self-absorbing, self-imbibing, self-obsessed selfishness from which we’re constantly trying to tell ourselves apart — unwittingly remitting ourselves to the badlands of choice wherein our decisions continue to be ruled by self-interest…
A common criticism of modern filmmaking is a lack of originality. And in a medium of formulaic genre styles that thrive on remakes, reboots, sequels and extended cinematic universes, it’s perhaps a valid point to make. Yet there is one main advantage to movies that carry a sense of familiarity — consistency. Whether it is…
Realizing that she can no longer play the roles she played when she was twenty, the now forty-year-old European actress Maria Enders (Juliette Binoche, “Godzilla”) faces the consequences of the passage of time. Nominated for a Palme d’Or at Cannes in 2014, Olivier Assayas’ (“Something in the Air”) Clouds of Sils Maria explores the life…
The tragic decay of a brilliant woman’s mind is given a gentle, poignant examination in Still Alice, a deeply moving and beautifully minimalized drama that sweetly takes the high road and finds in its protagonist’s struggle room for love and courage. Adapted from the novel by Lisa Genova and directed by Richard Glatzer and Wash…
