In an interview, Kevin Feige confirmed that he had a plan for the next five years of Marvel Cinematic Universe (MCU) films. When talking about that plan he said — in reference to the possibility of an appearance from the X-Men, who Disney now own — that fans should “not hold their breath” and that…
Here it is, the comeback the “Alien” franchise sorely needed. “Nothing,” remarked Daniels (Katherine Waterston, “Fantastic Beasts and Where to Find Them”) on the noise level of her surroundings, a gorgeous planet seemingly teeming with conditions perfect for them, 2,000 in-cryosleep passengers and 1,000-plus embryos to colonize. Little does the character know this, but what…
Observing, feeling, thinking, day dreaming, or simply throwing up your hands in exasperation. You may be engaged in all or none of the above when watching Terrence Malick’s (“Knight of Cups”) Song to Song, a dreamlike exploration of love and betrayal. Whatever does come up for you, however, and whether or not you have any…
The conflict between satisfying one’s emotional needs and doing the right thing is spotlighted in Derek Cianfrance’s (“The Place Beyond the Pines”) intense drama The Light Between Oceans. Set in 1918, the film is based on M.L. Stedman’s debut novel, a work of sparse and understated beauty. Tom Sherbourne (Michael Fassbender, “X-Men: Apocalypse”), a traumatized…
“Everything they built will fall; and from the ashes of their world we will build a better one.” — En Saben Nuh So, what did we all learn from the newest installment of the 20th Century Fox X-Men franchise (the eighth to be exact, or sixth if we eliminate the two Wolverine offshoots, or ninth…
Not to be outdone by the unveiling of the main antagonist in the latest trailer for “Batman v Superman: Dawn of Justice” (Doomsday, by the way), X-Men: Apocalypse jumps right into unveiling theirs — Apocalypse — in this first trailer. Bathed in royal blue and awakened from a timeless slumber, En Sabah Nur (his ancient…
Loosely based on Walter Isaacson’s best-selling biography with a screenplay by Aaron Sorkin (“The Social Network”), Danny Boyle’s (“127 Hours”) Steve Jobs is not a conventional biopic of the famous co-founder of Apple Computers but is more like an impressionist painting — short strokes of paint that capture the essence of the subject rather than…
