Rosemarie DeWitt

Movie Review: La La Land (2016)

With a cut and a kick and an upbeat note, Damien Chazelle sure paints a pretty picture of classic Hollywood musical nostalgia, but La La Land is more plastic pastiche than poignant portrait. It’s a technical marvel that’s dramatically weightless, a boldly bravura effort from writer/director Damien Chazelle and his crew that’s also too cutesy…

Movie Review: Poltergeist (2015)

Lack of originality is a major lament of many horror fans in 2015; we devour each and every new film that’s tossed our way, hoping against hope that THIS will be the horror movie that breaks the trend, that THIS will be the one that reminds us what it was like to be really creeped…

Movie Trailer: Poltergeist (2015)

As a parent I thought it was common knowledge that at NO times are questionable dolls, figurines, puppets, action figures (or any vessel that loosely represents a body that a malevolent spirit could wish to inhabit) allowed in the house. You shouldn’t live in a house built upon a graveyard either. The Bowen family screwed…

Movie Review: Men, Women & Children (2014)

Finally, it’s here, the film not a single person has been waiting for, Men, Women & Children, essentially Jason Reitman’s “Reefer Madness” for the digital age, is a decade late tonally conflicted mess that completely misses its mark. The first comparison that comes to mind for this film, honestly, is the beginning of “Troll 2;”…

Movie Review: The Watch (2012)

I have never claimed to be a screenwriter (nor would I even try to), but it seems to me that if The Watch had just been about a group of goofy, inept, over-the-top neighborhood watchmen, then it could have been a much tighter, coherent and interesting endeavor. Under the eye of director Akiva Schaffer (“Hot…

Movie Review: Your Sister’s Sister (2011)

Even though Your Sister’s Sister is set mostly in the open air of a secluded area of a Puget Sound island, it feels a bit claustrophobic because of the very small cast. There are only three characters who perform 99% of the film’s interactions and there are only so many combinations a screenplay can invent…

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