I don’t even know what to say. Or why to bother. To stare into the void that is Disney’s soul-sucked remake of its cinematic safari The Lion King is to come face to face with a profound and overwhelming sense of meaninglessness. It’s the same movie they released in 1994, only worse in all ways…
When 38-year-old Fred Flarsky (Seth Rogen, “The Disaster Artist”), a sloppy and unkempt-looking journalist, falls for Charlotte Field (Charlize Theron, “Tully”), a highly sophisticated, intelligent, and political savvy politician, we know that we must be in fantasyland or in a Jonathan Levine (“The Night Before”) comedy. While Levine’s Long Shot challenges believability, there are enough…
The continued effort to update and bring “live-action” realism to their classics (e.g., “Dumbo,” “The Jungle Book,” “Beauty and the Beast,”) continues for Disney with The Lion King. It follows the same premise as the 1994 animated feature (as well as “Kimba the White Lion” from which it was lifted) in which a young lion…
The Coen Brothers. Paul Thomas Anderson. Quentin Tarantino. When you think of great American directors who defined the first decade of the new millennium, these are a few of the usual suspects. When we reflect upon the current decade, it would be unwise to neglect the rise of an unusual directorial talent: James Franco. No…
Like an American sprinter against Usain Bolt, Seth Rogen’s Sausage Party starts off quickly (and humorously), but it fails to win the gold medal due to the actor/writer’s problem of not knowing when to reel in the bizarre comic situations (a trait perhaps caused by his close association with pal Adam Sandler) and not push…
Everyone can agree that the exceedingly spry “Kung Fu Panda” film series have been certified exquisite and adventurous productions from day one. It is no surprise that the third installment, Kung Fu Panda 3, continues to carry the mantle by being a gorgeously stylish and visually arresting computer-animation film exuding a vibrant cheekiness that shines. More important…
I suppose it’s a generational thing that a lot of younger critics seem to adore the newest film by Jonathan Levine (“50/50,” “Warm Bodies”), The Night Before. I mean when I think of harmless Christmas comedies, my mind conjures up movies like “National Lampoon’s Christmas Vacation” or “Home Alone,” among others. So when did foul…
