Articles by D.M. Behrendt


Movie Review: Observance (2015)

Observance is a difficult film to figure out, the kind that makes you wonder not what its creators are intentionally hiding from its characters and viewers, but what they have not yet figured out themselves. While it has more than its fair share of beautiful shots, dramatic hard cuts, and impressive performances, how unclear the…

Movie Review: All Hell Breaks Loose (2014)

All Hell Breaks Loose opens like so many other movies; a group of friends pounding beers, making out, and blasting rock music around a bonfire in the woods. Within minutes, however, this modern grindhouse flick becomes unlike anything you’ve ever seen. A gang of menacing bikers rolls up, tattooed and black bandana-ed and trailing a…

Movie Review: Kill or be Killed (2015)

Kill or be Killed (originally “Red on Yella, Kill a Fella”) is the kind of movie you want to root for: A genre bending romp across West Texas that has everything from spaghetti/western tropes like combination brothel-saloons, flasks of whiskey passed around fires, and shootouts everywhere from chain gangs to churchyards, to horror related elements…

Movie Review: The Witch (2016)

In a trailer commentary video that can be viewed on IMDb, Robert Eggers, writer and director of The Witch, explains that what he set out to accomplish with his debut film was to transport twenty-first century viewers back to the seventeenth, to a time when “the real world and the fairy tale world were the…

Movie Review: Unfriended (2014)

Unfriended is the kind of movie that I already can’t wait to watch again in ten years. Better yet–I’d love to watch teenagers ten years from now watch it and see if it makes any sense to them. This is to say, Unfriended is a movie that is violently in the moment, a unique and…

Movie Review: Judas Ghost (2013)

Judas Ghost, an indie British horror/fantasy inspired by Simon R. Green’s “Ghost Finders” series, feels more like a sequel than a standalone piece. This is to say, while watching it, one feels like what they are seeing would make far more sense — and have far higher stakes — if significantly more background information had…

Movie Review: It Follows (2014)

The second film from “The Myth of the American Sleepover” writer/director David Robert Mitchell, It Follows is the deservedly most anticipated horror flick of this spring. Teeming with eerie, ethereal synth music, dark psycho-sexual themes, and references to 1980s horror classics amid a dreary, timeless Detroit landscape, It Follows is a refreshingly subtle, practically gore-less…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger