Articles by Floyd Smith III

The Critical Movie Critics

A graduate of the Multimedia Journalism program at Northern Michigan University, and a current student of the Film Theory & Criticism Graduate Program at Central Michigan University. Floyd Smith III is a cinephile whose written for multiple publications including moviepilot and elitedaily and has a background in news writing for the independent publication The North Wind. Studying film since his time as an undergrad, he began officially reviewing films and reporting on entertainment in 2014. Smith joined CMC in January of 2016 and enjoys films of the science fiction, comic book, and horror genres.


Movie Review: Mission: Impossible – Fallout (2018)

If the “Mission Impossible” film series hadn’t solidified itself as one of the most thrilling action franchises to date, it surely has subscribed to the title after its latest installment, Mission: Impossible – Fallout. The sixth installment to the franchise tracks the return of the battle-tested and highly qualified IMF agent Ethan Hunt (Tom Cruise,…

Movie Review: Tag (2018)

When one hears of a group of adult men playing a 23-year long game of tag, one may intrinsically imagines an R-rated, raunchy comedy starring some of this decades most recognizable comedic faces acting like complete morons. While that is a valid assumption, the movie in question, Tag, also has a heart and is surprisingly…

Movie Review: Hotel Artemis (2018)

“Just another Wednesday,” the visibly fatigued nurse exclaims as she tends to a bullet wound of one of the guests of her dimly lit, blood spattered hotel for crooks. The only rules of the underground institution: No guns, no cops, and no killing of other guests. Throughout the film’s jaunting plot we watch thieves, assassins…

Movie Review: Insidious: The Last Key (2018)

Few franchises have been as financially successful and beloved as the low budget darling that is Leigh Whannell’s “Insidious” franchise. The initial installment, “Insidious” was praised for it’s vintage, minimalist approach and boasted a $97 million dollar box office gross against a $1.5 million dollar budget. It’s balanced execution of claustrophobic cinematography and traditional jump…

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