Articles by Deshawn Vasquez

The Critical Movie Critics

Comic book addict, frequent rambler and co-founder of the now defunct 'Real Books Don't Have Batman' podcast.


Movie Review: Wonder Woman (2017)

There is an idealized Wonder Woman. It’s vague and often inconsistent in description, but seemingly ethereal in public consciousness, in spite of any prior comic book knowledge, or lack thereof. I would compare the cultural assumption to Superman, and the balancing act the original Richard Donner film had to pull off. The benefit of finally…

Movie Review: Your Name. (2016)

The benefit of foreign cinema is that they tend to tell stories that shed a light on their own culture and tell stories a U.S. production would probably warp and bend into something more palatable for our sensibilities, losing that bit of cultural spark that elevated the material in the first place. The drawback is…

Movie Review: Power Rangers (2017)

Is there a specific name or term for a production that compiles stock action scenes from a foreign property and rewrites the context by filling in the gaps with a domestic production? Because between old distribution of kaiju films and the 24 year old series in question, a one-word description would be quite helpful. “Clip…

Movie Review: Bad Santa 2 (2016)

Oh boy. There’s nothing quite as middling or eyebrow-raising as a belated sequel, is there? 2003’s “Bad Santa” was a morbid, distasteful, apathetic middle-finger to more warm and fuzzy, politically correct holiday ventures and I absolutely love it. Upon hearing that a sequel was finally coming I was excited, although I knew it could fall…

Movie Review: Kubo and the Two Strings (2016)

Every once in a while, there are films that reaffirm their genres. That’s not to say that they’ve suffered without them, but true gems are few and far between. I consider “Let the Right One In” to be one of these gems among the horror sub-genres. I’d consider Spike Jonze’s “Her” a contender for romance,…

Movie Review: Suicide Squad (2016)

The DC Extended Cinematic Universe continues. In what seems to be the penultimate comic book movie of the year, David Ayer (“End of Watch,” “Fury”) has the task of selling an unknown quantity to mass audiences, while also following the path of the controversial “Batman v Superman: Dawn of Justice.” I have the good fortune…

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