Articles by Deshawn Vasquez

The Critical Movie Critics

Comic book addict, frequent rambler and co-founder of the now defunct 'Real Books Don't Have Batman' podcast.


Movie Review: Making Fun: The Story of Funko (2018)

There’s a conundrum going into David Romero’s Making Fun: The Story of Funko, at least from a critical aspect. The issue is perspective. Documentaries like this work better when there’s a sense of objectivity and recollection. If this were made say, 10-20 years from now, we’d probably have a better sense as to where Funko…

Movie Review: A Silent Voice (2016)

As you’ve grown up, have you ever been ostracized from other children, for whatever reason? Maybe you were the kid who smelled, or wore thick glasses. Maybe you simply liked things that weren’t cool enough for elementary school status quo. Children generally have little-to-no sense of empathy when they’re that young, and so school can…

Movie Review: The Cloverfield Paradox (2018)

Anthologies are a kind of a risk/reward endeavor. It’s a great way to keep a series fresh and innovative, especially as age goes against it, but iconography can often ruin those kind of plans. Remember when “Halloween” was supposed to be an anthology series? Not only did “Halloween” become too popular for its own good,…

Movie Review: Batman & Bill (2017)

History is determined by whoever holds the pen, be it religious context, political misconduct, or something as simple as creative rights. Anyone who knows me personally knows I’m a huge comic book fan, for Batman especially. Much like “The Death of ‘Superman Lives’: What Happened,” Batman & Bill is something I’ve been following for a…

Movie Review: Blade Runner 2049 (2017)

Let me be blunt for a second. “Blade Runner” never needed a sequel. Yes, I know. It’s a tired statement, I get sick of hearing it too. You could argue most movies don’t need sequels. But “Blade Runner” really did not need one, more so than others, and there are a number of factors contributing…

Movie Review: Kingsman: The Golden Circle (2017)

Okay. Alright. Okay. Alright. So. “Kingsman: The Secret Service” was admittedly a surprise hit for most people. I, like many, found that it was an inventive, satirical yet loving take on the spy genre in just the right climate. Much like “Kick-Ass” before, Matthew Vaughn took an imaginative, but ultimately flaccid, concept of Mark Millar’s…

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