Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.


Movie Review: The Black Shuck (2018)

From North America to Scandinavia, from southern Europe to the Middle East, from the Himalayas to Australia, local myths are a common cultural feature. From the Jersey Devil to the Loch Ness Monster, from the Bunyip to the Yeti, people in particular areas perpetuate tales of mysterious creatures that appear and disappear. While never fully…

Movie Review: Cold War (2018)

The term “Cold War,” especially in cinema, usually evokes images of espionage, militarism, geopolitics and stern men speaking tersely in jargon that is only comprehensible to those with a working knowledge of the genre. Pawel Pawlikowski (“The Woman in the Fifth”) defies such expectations with his film Cold War, a starkly beautiful romance that deftly…

Movie Review: BlacKkKlansman (2018)

In 1915, D. W. Griffith’s film “The Birth of a Nation” was released, en route to becoming one of the most influential and controversial films in cinema history. Griffith’s historical epic created indelible imprints on film content and style, particularly in the areas of racial representation and editing. A century later, Spike Lee’s BlacKkKlansman attempts…

Movie Review: Searching (2018)

Lives online, lives offline. Activities that only happen because web cameras connect us to an anonymous multitude. What happens online may stay online, or overlap with the “real world.” What happens when a person is one thing on the Internet and another in the outside world? The questions around such alternative lives are pressing concerns…

Movie Review: Ant-Man and the Wasp (2018)

It is a cliché to say that less is more. In the case of Ant-Man and the Wasp, Marvel excels in delivering the delights of smaller scales, both in the physical and emotional sense. After the weighty politics of “Black Panther” and the epic scale of “Avengers: Infinity War,” the latest entry in the Marvel…

Movie Review: Eaten By Lions (2018)

Britain has a great range of cities, some of which receive extensive cinematic treatment. London is the most iconic, but Manchester, Sheffield, Birmingham, Edinburgh and Glasgow have also graced the silver screen. But is there a more evocative, romantic, inspiring and fascinating city than that Las Vegas of the United Kingdom, that Dubai of England,…

Movie Review: Avengers: Infinity War (2018)

Over the past decade, Marvel Studios have proved time and again their mastery of the superhero genre. Central to this success is the combination of superhero tropes with other genres: World War II film with “Captain America: The First Avenger,” conspiracy thriller with “Captain America: The Winter Soldier,” heist movie with “Ant-Man,” high school comedy…

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