Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.


Movie Review: BlacKkKlansman (2018)

In 1915, D. W. Griffith’s film “The Birth of a Nation” was released, en route to becoming one of the most influential and controversial films in cinema history. Griffith’s historical epic created indelible imprints on film content and style, particularly in the areas of racial representation and editing. A century later, Spike Lee’s BlacKkKlansman attempts…

Movie Review: Searching (2018)

Lives online, lives offline. Activities that only happen because web cameras connect us to an anonymous multitude. What happens online may stay online, or overlap with the “real world.” What happens when a person is one thing on the Internet and another in the outside world? The questions around such alternative lives are pressing concerns…

Movie Review: Ant-Man and the Wasp (2018)

It is a cliché to say that less is more. In the case of Ant-Man and the Wasp, Marvel excels in delivering the delights of smaller scales, both in the physical and emotional sense. After the weighty politics of “Black Panther” and the epic scale of “Avengers: Infinity War,” the latest entry in the Marvel…

Movie Review: Eaten By Lions (2018)

Britain has a great range of cities, some of which receive extensive cinematic treatment. London is the most iconic, but Manchester, Sheffield, Birmingham, Edinburgh and Glasgow have also graced the silver screen. But is there a more evocative, romantic, inspiring and fascinating city than that Las Vegas of the United Kingdom, that Dubai of England,…

Movie Review: Avengers: Infinity War (2018)

Over the past decade, Marvel Studios have proved time and again their mastery of the superhero genre. Central to this success is the combination of superhero tropes with other genres: World War II film with “Captain America: The First Avenger,” conspiracy thriller with “Captain America: The Winter Soldier,” heist movie with “Ant-Man,” high school comedy…

Movie Review: Obey (2018)

Obey lays out its elements early on, declaring its setting, its interest and its milieu from the opening shot. Yet, within this shot and throughout the film, writer-director Jamie Jones also defies expectation. In the opening sequence before the titles, a deep focus long take captures six young people work towards the camera, discussing the…

Movie Review: You Were Never Really Here (2017)

It is a bold filmmaker who trusts film as film and allows the medium to communicate without recourse to exposition and dialogue. Such a filmmaker is Lynne Ramsey (“We Need to Talk About Kevin”), whose latest offering, You Were Never Really Here, is a brilliantly brutal assembly of image and sound that never displays any…

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