Science Fiction

Movie Review: Shang-Chi and the Legend of the Ten Rings (2021)

It has become a cliché to identify that Marvel Studios combine the superhero genre with other genres. From conspiracy thriller in “Captain America: The Winter Soldier” to buddy comedy in “Thor: Ragnarok” to space opera in “Guardians of the Galaxy,” Kevin Feige and the various writers, directors, editors, actors, composers, cinematographers and more that work…

Movie Review: The Stairs (2021)

Some genres are easily identified by tropes. Science fiction can be identified by spacecraft, time travel, extra-terrestrial life, artificial intelligence. Horror can be identified by an initial journey, a focus on victimhood and suffering, unsafe environments, a loss of control. While reductive and far from the whole story of these genres, tropes such as these…

Movie Review: The Suicide Squad (2021)

The superhero genre is accused of many things. Politically, it is described as conservative, reactionary and downright fascist. The genre has a tendency towards being white male centric, with exceptions like “Wonder Woman” and “Black Panther” highlighting rather than resolving the problem. As the Marvel and DC franchises have become more popular, studios opt for…

Movie Review: Black Widow (2021)

In recent years, Hollywood has taken a renewed interest in Russia, specifically as a threat to the US. The latest entry in the Marvel Cinematic Universe (MCU) continues this pattern, following the trend of such films as “The Sum of All Fears,” “The Bourne Supremacy,” “Mission: Impossible – Ghost Protocol,” “Salt” and the TV series…

Movie Review: A Quiet Place Part II (2020)

2018’s “A Quiet Place” is a terrifically focused and tightly wound horror film, which uses silence interspersed with jump scares to create a thoroughly thrilling experience. How then to follow it up with a “Part II?” Writer-director John Krasinski does so by expanding the world of the first film while also maintaining the focus on…

Movie Review: In the Earth (2021)

Ben Wheatley is a prominent and potent voice in British cinema. His sophisticated use of practical limitations such as small casts and contained environments have created strong impressions such as the constant menace and discomfort of “Kill List” and the black humor of “Sightseers.” His distinctive use of space in “High-Rise” and “Free Fire” are…

Movie Review: Godzilla vs. Kong (2021)

Someone at Warner Bros. needs to learn the value of taking time. Since the halcyon (and pre-published) days of the Wizarding World, the studio has demonstrated a tendency to rush their franchises. Despite 2014’s superb “Godzilla” and 2017’s impressive “Kong: Skull Island,” the subsequent installments, 2019’s “Godzilla: King of the Monsters” and now Godzilla vs….

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