Aaron L. Gilbert

Movie Review: Phil (2019)

For some reason, 2019 seems to be the year of actors stepping into the director’s chair. Whether it is on limited circuits like Idris Elba’s “Yardie,” on streaming services like Amy Poehler’s “Wine Country,” or breaking out into the mainstream like Olivia Wilde’s delightful “Booksmart,” we are starting to witness an unusual spike in opportunities…

Movie Review: Tully (2018)

Each time that screenwriter Diablo Cody and director Jason Reitman team up, they create a singular female character that walks onscreen feeling fully formed and armed with lots to say. First it was Ellen Page’s precocious pregnant teen in “Juno,” then it was Charlize Theron’s perpetually perturbed author Mavis Gary in “Young Adult,” and now…

Movie Review: Beatriz at Dinner (2017)

One per-centers are taking it on the chin at the movies these days with recent releases like “The Founder” and “Get Out,” and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz…

Movie Review: Tumbledown (2015)

Love has an incredible ability to warm and soothe the soul (fireplaces can do that, too!) and it’s interesting to find stories of unexpected romances set in different times and spaces. It can present the illusion of freshness for a tale as old as fuzzy cucumber slices underneath a car seat. But the illusion is…

Movie Review: Welcome to Me (2014)

She enters in a swan boat to a meager audience barely populating the struggling studio wherein her talk show is being recorded and aired for the first time. Her is she. She is me. Me is Alice Klieg. Alice is a Californian divorcee in her early 40’s who has been fighting against mental illness for…

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