Iain Canning

Movie Review: Widows (2018)

Critically acclaimed filmmaker Steve McQueen (“12 Years a Slave”) makes his triumphant return in the form of the modern crime thriller Widows, a film that is as familiar to McQueen’s drama heavy filmography as it is opposing to the historically driven stories he’s become internationally recognized for. Carried by one of the more commanding female…

Movie Review: Lion (2016)

“And I shall rest my head between two worlds, in the Valley of the Vanquished” — Léolo, Jean-Claude Lauzon Whether Harvey Weinstein’s purpose in producing Lion was to add to his collection of Oscars or just to tell a sweet, heartfelt story about a lost boy searching for his home, the result is that he…

Movie Review: Mr. Holmes (2015)

We’re fascinated by superheroes. Our fascination mainly stems from the fact that no matter how much we get to know them, we never get to know them enough; they keep surprising us over and over again. At the brink of every new challenge, of every new puzzle or danger, we still hold the belief that…

Movie Review: Slow West (2015)

A light-hearted score by Jed Kurzel (“The Snowtown Murders”) punctuates Slow West, first-time director John Maclean’s 84-minute deconstruction of the myth of the frontier. Winner of the grand jury prize in the international dramatic competition at Sundance, the U.K.-New Zealand co-production is a slow burn that is awash in contradictions. Starring Michael Fassbender (“12 Years…

Movie Review: Tracks (2013)

Poet and naturalist Diane Ackerman said, “The great affair, the love affair with life, is to live as variously as possible, to groom one’s curiosity like a high-spirited thoroughbred, climb aboard, and gallop over the thick, sun struck hills every day.” One such high-spirited thoroughbred is Australian naturalist Robyn Davidson who, at the age of…

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