Jason Blum

Movie Review: Unfriended: Dark Web (2018)

When I reviewed the first “Unfriended” film in 2015, I described it as a time capsule; an inside joke between its creators and anyone familiar with the technology it uniquely and realistically integrated that would only fully pay off if/when, years later, its original audience watched younger, uninitiated viewers try to understand it outside of…

Movie Review: The First Purge (2018)

“Are you an angry person?” “Who are you angry at?” “Are you ever inclined to hurt someone?” The First Purge begins on Staten Island, where evaluation teams interview prospective participants in a new experiment organized by the New Founding Fathers of America (NFFA), a political party organized as an alternative to the existing system. On…

Movie Review: Truth or Dare (2018)

A common rite of passage for college seniors is their last Spring Break — they get together with friends in a tropical location for sun, drinks, and fun before they graduate and enter “the real world.” Intent on making her final Spring Break worth a little more, Olivia (Lucy Hale, “Scream 4”) has instead signed…

Movie Review: Insidious: The Last Key (2018)

Few franchises have been as financially successful and beloved as the low budget darling that is Leigh Whannell’s “Insidious” franchise. The initial installment, “Insidious” was praised for it’s vintage, minimalist approach and boasted a $97 million dollar box office gross against a $1.5 million dollar budget. It’s balanced execution of claustrophobic cinematography and traditional jump…

Movie Review: Happy Death Day (2017)

In some ways, Theresa “Tree” Gelbman (Jessica Rothe, “Wolves”) is your average college student. She parties, she drinks, and, at the end of the night, she doesn’t always end up at home. In other ways she’s your average sorority girl (the pathetically one dimensional way sororities are portrayed in movies, at least). She maintains shallow…

Movie Review: Split (2016)

For some, watching an M. Night Shyamalan film is an experience that fills them with dread. But this dread can be separated in two distinct camps: First, the good kind of dread that accompanied Shyamalan’s first blockbusters in Hollywood — “The Sixth Sense,” “Unbreakable,” “Signs” — all quietly unsettling thrillers that, despite some weaknesses, still…

Movie Review: Get Out (2017)

One night, on a quiet neighborhood street, a black man walks along, minding his business, trying to remember directions he was given. He mumbles to himself about street names and how “confusing and scary-ass” the suburbs are (true story). A white Porsche creeps up behind him, eventually pulling ahead of him to idle near the…

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