Pamela Koffler

Movie Review: The World to Come (2020)

Whenever I find myself looking at the treasured imagery of the American Frontier, there’s always a bittersweetness that washes over. Perhaps it is the grandeur of the mountains looming against the most idyllic of cottages, but there’s this sense of melancholy that’s fascinating to explore. One such example comes in the form of Mona Fastvold’s…

Movie Review: Wonderstruck (2017)

I’ll start my review for Wonderstruck like this: If Wonderstruck doesn’t get a nomination for best picture this year then something is horribly wrong. It’s hard to imagine — and I haven’t yet seen — another 2017 film that equals or tops it. Todd Haynes, a director known for bringing queer cinema to the mainstream…

Movie Review: Beatriz at Dinner (2017)

One per-centers are taking it on the chin at the movies these days with recent releases like “The Founder” and “Get Out,” and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz…

Movie Review: Still Alice (2014)

The tragic decay of a brilliant woman’s mind is given a gentle, poignant examination in Still Alice, a deeply moving and beautifully minimalized drama that sweetly takes the high road and finds in its protagonist’s struggle room for love and courage. Adapted from the novel by Lisa Genova and directed by Richard Glatzer and Wash…

Movie Review: The Last of Robin Hood (2013)

The Last of Robin Hood, which focuses on the twilight of Errol Flynn’s life and career, is an uneven mix of brilliant performances and an inert, aimless story. It’s a shame, really, because Flynn’s final days were the stuff of tabloid legend. Here, the trio of main characters are examined only superficially, with scant attention…

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