It has become a cliché to identify that Marvel Studios combine the superhero genre with other genres. From conspiracy thriller in “Captain America: The Winter Soldier” to buddy comedy in “Thor: Ragnarok” to space opera in “Guardians of the Galaxy,” Kevin Feige and the various writers, directors, editors, actors, composers, cinematographers and more that work…
Chris Weitz, director of “American Pie” and co-writer on last year’s “The Mountain Between Us,” delivers a watchable and important effort in Operation Finale, depicting the capture and extradition of Holocaust mastermind Adolf Eichmann. It’s a well-intentioned take on one of the ugliest personalities of the 20th century. Yet, its middling characterization and preference for…
The Ottoman Lieutenant is a modest yet powerful film, one that sweeps the viewer into its world with majestic scope, while maintaining a keen eye for detail and never offering more than it can deliver. Romance, coming of age, duty and responsibility, violence and compassion, politics and history come together in an impressive whole, captured…
“Sometimes, rules are meant to be, well not necessarily broken, but certainly bent — and definitely reinterpreted; don’t you think?,” says Baloo to a bee-stung Mowgli as the man-cub angrily makes his way to the man-village where, as his sage mentor Bagheera has indicated, he must go back to if he wants to avoid a…
Based on a short story by Katha Pollit, a columnist for the Nation magazine, Learning to Drive is a small movie with a big heart. While the film is risk averse and will not be mistaken for a timeless work of art, its story of two middle-aged people of vastly different backgrounds assisting each other…
I have to be honest, I might just have the world’s worst case of Acrophobia (for laymen, a fear of heights). This phobia could not have manifested itself any more acutely than during the newest release, The Walk, directed by Robert Zemeckis (“Who Framed Roger Rabbit,” the “Back To the Future” franchise and Academy Award…
Ridley Scott’s Exodus: Gods and Kings may be light on characterization and depth, but it is abundant in atmosphere and scene-to-scene, gripping drama. It’s biblical by nature, and although it does not delve as far as some would like into the lives of Moses or Ramses II, it is well-intentioned, thought-provoking and flashy. The CGI,…
