The opening supertext of Wander draws attention to “indigenous, black, and people of color,” refers to “government violences,” and “change,” and highlights that the film was shot on the homelands of indigenous peoples. Released in 2020 shortly after the presidential election, it is tempting to see this film in the light of progressive change and…
Director James Gray, whose last film, “The Lost City of Z,” garnered serious praise upon release in 2016, has continued his win streak in the exploratory sci-fi film Ad Astra, the Latin phrase for “to the stars.” This Brad Pitt vehicle stands as a powerful character study within a plausible near-future universe, with a hefty…
There are three distinct musical features in the Jason Bourne franchise. The most obvious is Moby’s “Extreme Ways,” played over the credits of each film in various versions. There is also the fast, pulsing rhythm of John Powell’s score, a musical heartbeat to the dizzying action on screen. And there is a mournful refrain that…
“The Bourne Legacy” wasn’t that bad (and it is getting a purported sequel), but it’s still a welcomed breathe of fresh air to see Matt Damon back in action in the upcoming action thriller, Jason Bourne. This time around, however, it seems Bourne has gathered his memories, but is now coming back ‘home,’ with the…
Granted we’ve all enjoyed our fair share of them, but it is still a nice change of pace to watch a Hollywood film that isn’t one of those big budget, high-stakes films with product placements, massive CGI explosions and recycled plots. Tommy Lee Jones’ The Homesman is a tour-de-force western on the opposite side of…
Thrust to the screen in choppy black and white footage is the deployment of the A-Bomb on Hiroshima and Nagasaki by the Enola Gay in 1945. What ensues is mayhem and the emergence of a death-gripping mushroom cloud. Next, there’s a second of deafening silence before the screen is flooded with the blustering sounds of…
In 2012, Abraham Lincoln is on currency, in hundreds of dusty books, and sitting in a chair in his own memorial at one end of the National Mall. His image is stale; he is not a man, but an unknowable symbol. Steven Spielberg, however, fashions the legend into a flesh and blood human being in…
