The balance between innovation and homage is a difficult one to strike. This is especially so when dealing with established and beloved properties. Spider-Man: No Way Home takes on the formidable task of balancing the demands of a standalone film, the Marvel Cinematic Universe (MCU), and the wider presence of Spider-Man in cinema and popular…
There is a scene in Zack Snyder’s Justice League when one of the central superhero figures uses his superpowers for good. This may sound obvious, but it is notable that such use usually translates into beating up bad people, whether they be muggers, megalomaniacal crime bosses or genocidal aliens. This scene, however, involves helping someone…
Edward Norton is an odd duck. When he burst onto the scene with 1996’s “Primal Fear,” he matched beats with more seasoned stars Richard Gere, Laura Linney and Francis McDormand, and earned an Oscar nomination for his trouble. Subsequent roles in “American History X,” “Fight Club” and “25th Hour” led to him being hailed as…
Joining A24’s pantheon of beautifully crafted, enigmatic thrillers is The Lighthouse, the sophomore effort by horror auteur Robert Eggers. Based on two seamen on an isolated lighthouse in the late 1800’s, this strange thriller tackles a simplistic setting from a mind-numbing perspective and is more than enough evidence to support the resounding resurgence of unsettling,…
Horror auteur (“The Conjuring”) and box office money maker (“Furious 7”) James Wan takes a somewhat unexpected stab at the superhero genre with Aquaman. Starring the imposing, but beloved, Jason Momoa (“Conan the Barbarian”), scene stealing Amber Heard (“Machete Kills”), and a seasoned Willem Dafoe (“The Florida Project”), Wan’s installment to the successful (albeit it…
There is a moment early in Kenneth Branagh’s intricately constructed adaptation of Agatha Christie’s classic whodunnit when Hercule Poirot (Branagh) stands on the deck of a ship as it leaves Istanbul. Poirot is captured center frame: The deck, the railing, the adjacent cabin and the sea itself are balanced perfectly around him. The shot is…
It’s funny what language can do, the unintended irony behind words and concepts and colors that were likely never part of any authorial intent. But, then again, maybe they were. That’s the inexhaustible fertility of art; it transcends, whether it wants it or not, intentions. That’s the case with Spanish, still sprouting in a place…
