In 1845, a crowd gathers in a field as a young girl is hooded and hoisted into the air by a rope tied to an old oak tree. The men surrounding the base of the tree light a fire, and a priest prays aloud, holding a doll in his hands. The crowd does nothing to…
With Brightburn, David Yarovesky presents a welcomed twist to the superhero genre with his anti-superhero/horror hybrid that presents the perfect elevator pitch of what would happen if Superman wanted to hurt people instead of help them. Affiliated with eclectic director James Gunn (credited as a producer), Yarovesky is no stranger to the superhero genre having…
Dennis Quaid’s perverse Peeping Tom is the central psycho in director Deon Taylor’s home invasion hokum, The Intruder. Formulaic and faceless, Taylor’s (“Traffik”) domestic drama merely echoes the familiar foundations of other generic goosebump-instilling thrillers chronicling the exploits of a stalking menace out to majorly inconvenience the tranquility of a passionate married couple. From yesteryear’s…
Lives online, lives offline. Activities that only happen because web cameras connect us to an anonymous multitude. What happens online may stay online, or overlap with the “real world.” What happens when a person is one thing on the Internet and another in the outside world? The questions around such alternative lives are pressing concerns…
There are many variables transpiring in the gritty, yet grating, urban crime flick Proud Mary that want desperately to embrace themes of unconventional motherly instincts and clichéd street-wise mayhem. Unfortunately for “The Curious Case of Benjamin Button” Oscar-nominated star Taraji P. Henson (who also has an executive producing credit for this lopsided actioner), her labored…
Well, we’ve had “Blood Orchid” and “Blood Feuds” and “Blood Money.” We’ve also had “Blood Rain,” “Blood Brother,” “Blood Orgy” and even “Blood Diamond.” Isn’t it about time we had some good old-fashioned “Blood Wars”? As in Underworld: Blood Wars? Uh, then again, maybe it isn’t. During the prologue for this Anna Foerster directed effort…
When I first saw the trailers for When the Bough Breaks, I was excited. It looked like “Obsessed,” “The Hand That Rocks the Cradle,” or “Single White Female,” except with fewer white people (something most movies these days could benefit from). When I first sat down in the theater, I was still excited. The pacing…
