Quoting the statistic that 152 million children in the world are forced to work to support their families, Iranian director Majid Majidi’s Sun Children focuses on the street kids of Tehran — children of absent, addicted, or unemployed refugee parents, forced to sell trinkets on trains or buses, work in jobs that require manual labor…
Some genres are easily identified by tropes. Science fiction can be identified by spacecraft, time travel, extra-terrestrial life, artificial intelligence. Horror can be identified by an initial journey, a focus on victimhood and suffering, unsafe environments, a loss of control. While reductive and far from the whole story of these genres, tropes such as these…
Melissa McCarthy and Ben Falcone are back, six months after the release of their last (and worst) film, “Superintelligence.” Their latest work, Thunder Force, is a superhero comedy telling the story of best friends Lydia (McCarthy, “Can You Ever Forgive Me?”) and Emily (Octavia Spencer, “The Shape of Water”), who become the superhero duo known…
William Shatner, who in real life recently turned 90, should be commended for playing the lead in any feature film. That said, Senior Moment, a bit of cinematic fluff directed by Giorgio Serafini, is not the best vehicle for him to show off his acting chops. The script is not developed sufficiently for him or…
2021 has been an incredible year for absurdist comedies that push the boundaries of socially acceptable humor to the extremes. Josh Greenbaum’s “Barb and Star Go to Vista Del Mar” is still the funniest (and best) film of the year (so far), but there’s a new competitor in town that dares to go back to…
2003’s “Wrong Turn” spawned a surprising franchise. Five sequels and this 2021 reboot demonstrate that screenwriter Alan B. McElroy’s premise has (deformed) legs that have continued to provide bloody scares for audiences. After six films in the original continuity, a reboot seems timely and could continue to capitalize on the potential of city people encountering…
“The real voyage of discovery lies in not seeing new landscapes but in having new eyes” — Marcel Proust Taking risks and taking responsibility can be two sides of the same coin but never seem to mesh in Thomas Vinterberg’s (“Far from the Madding Crowd”) comedy-drama Another Round, Denmark’s submission for Best Foreign Film at…
