Within the current world of digitally-released cinema, it can be easy to discover what are the treasures versus the trash. And somehow, within the span of only two minutes into Lionsgate’s latest production, Vanquish, I knew what I was looking at was easily the second category — the 2021 equivalent of discovering a mangled DVD…
Familiar elements can be clichéd but also useful. Emphasize a particular trope too much and it becomes tired and tedious. Use a trope carefully, especially when connected to other tropes within a wider framework, and the various pieces can add up to a satisfying whole. The key aspect here is judicious treatment, ensuring that the…
New York is known for delivering many thrills. From the energy of the city’s entertainment to the exhilarating rush of traffic — the city (and its surrounding areas) are anything but dull. And if you are looking for proof of such a fact, then Vaughn Stein’s (“Terminal”) latest thriller Inheritance stands as quite the example….
Beggars can’t be choosers during the global lock-down. Cinemas are closed, blockbuster movies and their smaller brethren delayed, and Netflix’s back catalogue has been squeezed drier than a tube of antibacterial hand gel. So when the streaming platform serves up a new release, written and produced by the all-conquering Russo brothers no less, audiences were…
Former marine and single mother Sam (Rebecca Rogers) is on maternity leave. Her baby needs medication, so she leaves the kid home alone and runs to the pharmacy. Sam is abducted. She wakes up in a locked-down warehouse. A mysterious voice informs her that her child will be killed unless she “plays the game.” It’s…
Is it possible to do questionable things for a noble cause? Well, veteran director Catherine Hardwicke (“Twilight”) and first-time full feature screenwriter Gareth Dunnet-Alcocer clumsily answer that thematic question with Miss Bala, an Americanized reshaping of a 2011 Spanish-language tale with the same name. Their vision replays similar story beats as the original, but lacks…
The great Japanese director Hiorkazu Koreeda (“The Third Murderer”) continues his exploration of the true meaning of family In Shoplifters (Manbiki kazoku), a quest he began in his award-winning 2013 film, “Like Father, Like Son.” Winner of the Palme d’Or award at the 2018 Cannes Film Festival and the first Japanese film to win the…
