London in the swinging 60s. A time of glamour. A place of dreams. An era of magic, cruelty and abuse. Wait, what? That’s right, Edgar Wright’s (the Cornetto Trilogy, “Baby Driver”) latest film, Last Night in Soho, largely eschews the lighthearted tone of his previous work, delivering a tale that is dark, gruesome and visceral,…
Candyman begins with inversion, as the studio logos of Universal, Monkeypaw Productions and MGM are presented in reverse. From here, we move into low-angled shots of the Chicago skyline. These imposing buildings express wealth, power and privilege, but rather towering over the viewer, they are inverted, viewed from above. Clouds wreath the building crests but…
Oculus is a sloppy horror movie about a possessed mirror and the vengeance that a grown woman, whose family was destroyed by the mirror when she was a girl, attempts to wreak upon it. There are a couple of shock moments — not shocking, just shock — but for the most part the plot dreamed…
People have said that mirrors are pathways to other dimensions. Even ones where pure evil resides. So it’s not a big leap to see them used in a horror movie as a catalyst for some paranormal shit to break out from (others like “Mirrors” and “Candyman” come to mind that have used them with limited…
