London in the swinging 60s. A time of glamour. A place of dreams. An era of magic, cruelty and abuse. Wait, what? That’s right, Edgar Wright’s (the Cornetto Trilogy, “Baby Driver”) latest film, Last Night in Soho, largely eschews the lighthearted tone of his previous work, delivering a tale that is dark, gruesome and visceral,…
Piercing has the singular, most chilling opening sequence I have ever seen in a movie. I don’t think it can get any more horrifying than an ice pick brandished in a newborn baby’s face. This immediately set me on edge, and this tension continued all through the exposition. It seems that Reed (an eerily unsettling…
It’s an uncomfortably heavy 13-minute stretch that Konrad Tho Fiedler fills in Running Eagle to tell the brief, though highly evocative tale of a young Native American woman (Devery Jacobs, “Rhymes for Young Ghouls”) struggling to get back home across a frozen wasteland after fleeing a life of forced prostitution. The narrative is split between…
Sex hustlers in the cinema. The world’s oldest profession on the big screen has never been more titillating or scandalous than the selections we have listed in the Top 10 Movie Prostitutes. Okay . . . perhaps there are other provocative choices that could also be featured so prominently in this column documenting the salacious…
Writer-director Graham Jones (“The History Student,” “The Randomers,” “How to Cheat in the Learning Certificate”) can be astutely described as a lyrical Irish filmmaker with moving narratives that seem so personal and profound in dramatic simplicity. In Jones’s latest indie drama Nola and the Clones he helms yet another soulful exposition grounded in the given realities of…
A sacred bond between sisters, no matter how close they seem, takes a lifetime to build. Through this intricate construction of a relationship, a deep sense of trust, intimacy, and selflessness are formed. Those key ingredients are the basis for unconditional love and without it, there is the highly probable potential of having a relationship…
The Transporter Refueled is more like “Transporter Rebooted,” as this is at least the fourth franchise update of the year (following “Mad Max: Fury Road” “Fantastic Four” and “Hit Man: Agent 47”). In this re-working of French producer Luc Besson’s action series, the main star is the automobile, an Audi (just like all of those…
