Movie Review: Overlord (2018)

Let’s get this out of the way immediately. Overlord isn’t another “Cloverfield” film. Not even a secret one. No twist in the third act, no Easter eggs, no post-credits scene. Much as I like the whole “Twilight Zone” mystery box thing the franchise has going for it, “The Cloverfield Paradox” was a major fumble and…

Movie Review: Bohemian Rhapsody (2018)

Bohemian Rhapsody certainly did not have the smoothest of beginnings, with Sacha Baron Cohen (“Borat”) — who was first slated to pick up the mantle of Freddie Mercury — leaving due to creative differences. Cohen wanted to go down a more authentic, grittier road, a road paved with rampant sex scenes and pornographic amounts of…

Movie Review: The Last Suit (2017)

The Last Suit (El Último Traje), the second feature film by writer/director Pablo Solarz (“Intimate Stories”) is an Argentine/Spain production that follows the journey of Abraham Bursztein (Miguel Ángel Solá, “The Impatient Alchemist”) an 88-year-old holocaust survivor who found refuge in Argentina, where he created a life for himself, working as a tailor and raising…

Movie Review: The Darkest Minds (2018)

Wouldn’t you know it, another faceless dystopian drama featuring teens situated in manufactured peril courtesy of the distrust and paranoia of the older establishment has made an appearance. After all, Hollywood must be vigilant in its continued efforts to tap into the teen movie-going market (this time courtesy of Alexandra Bracken’s 2012 novel “The Darkest…

Movie Review: Winter Hunt (2017)

It’s a rare piece of cinema that is able to hearken back to atrocities committed during World War II through spoken recollections in the midst of a home invasion plot, but that’s exactly what we’ve been given with Winter Hunt (“Winterjagd”). Astrid Schult has crafted a unique, aging Nazi thriller, brimming with unending desires to…

Movie Review: London Fields (2018)

One of the main aims of a whodunnit mystery movie is to ensure that the audience doesn’t guess who done it, so by that metric, London Fields misses its mark entirely. It’s the rare movie that plays its cards so early that anyone paying even a sliver of attention during the first two minutes can…

Movie Review: Beautiful Boy (2018)

“A day once dawned, and it was beautiful. A day once dawned from the ground. Then the night she fell . . . The night she fell all around” — From the Morning, Nick Drake Directed by Belgian director Felix Van Groeningen (“Belgica”) and adapted for the screen by Luke Davies (“Lion”), Beautiful Boy is…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger