BFI Film Fund

Movie Review: Gwen (2018)

The horror genre allows many opportunities to explore opposition. The opposition may involve faith in “The Exorcist,” gender in “Rosemary’s Baby,” class in “The Texas Chainsaw Massacre” and sometimes all these and more, such as in “Drag Me To Hell.” With folk horror, the opposition is often between tradition and modernity, insiders and outsiders, new…

Movie Review: The Souvenir (2019)

“From the ashes a fire shall be woken, a light from the shadows shall spring.” — J.R.R. Tolkien A chronicle of a relationship that is no longer nurturing, The Souvenir follows Julie (Honor Swinton Byrne, “I Am Love”), a young film student in London during the 1980s as she navigates to adulthood through a minefield…

Movie Review: Yardie (2018)

The director’s chair being filled by established actors is becoming an increasingly popular card for Hollywood to pull these days, albeit with wildly varied results. Up until this point, the receptions of those films in a way mirror the novice auteurs behind the camera; Bradley Cooper’s “A Star Is Born” — perhaps you’ve heard of…

Movie Review: Lean on Pete (2017)

“Oh, God, make small the old star-eaten blanket of the sky, that I may fold it round me and in comfort lie” — T.E. Hulme, “The Embankment” When I first heard about British director Andrew Haigh’s (“45 Years”) Lean on Pete, it sounded like a warm, cuddly drama about horses, perhaps an updated version of…

Movie Review: How I Live Now (2013)

When the beautiful, young Saoirse (pronounced “Seersha”) Ronan stunned us all with a fantastic performance as the title character in “Hanna,” it was easy to believe she’d soon be taking Hollywood by storm; little did we know that what she has in talent, she unfortunately seems to lack in wise decisions. First came the latest…

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