In a post-Tumblr and currently-virus filled world, it can be easy to fall into a fantasy. Perhaps your’s involves vintage clothes, scenic deserts, and two fandom-related hotties battling for your affection. If it does, then new indie flick Endings, Beginnings is that personal overly-dramatic fan fiction come true. Except for this time, Shailene Woodley is…
South Korean director Bong Joon-ho (“Okja”) says that he always tries to overturn viewer expectations and hopes that his latest film succeeds in this way. Palme d’Or winner at the 2019 Cannes Film festival, Bong’s Parasite (Gisaengchung) does indeed thwart expectations, but the question is — to what end? Defying any strict genre classification, the…
The increasing number of recent films featuring stories of Christian faith or history (“God’s Not Dead 2,” “Miracles from Heaven,” “Risen,” just to name a few) hearken back to the days when Biblical films ruled the motion picture landscape. From 1953’s “The Robe” to 1956’s “The Ten Commandments” and “Friendly Persuasion” to the grand-daddy of…
“A blockbuster production with a devilishly unpredictable plot” one of the film’s characters says in a different context, but these words might as well be used when describing Snowpiercer. Based on the French graphic novel Le Transperceneige, Joon-ho Bong’s latest film marks the South Korean director’s English-language debut. The story is set in a future…
A discourteous comedian takes the place of a king in Chang-min Choo’s elegant, languid Masquerade, a Korean costume drama starring the formidable Byung-hun Lee, sadly best known to American audiences as Storm Shadow, courtesy of the G.I. Joe franchise. Lee, who is a Korean star par excellence, is the film’s focus, portraying both the hardened,…
