Film4

Movie Review: Cold War (2018)

The term “Cold War,” especially in cinema, usually evokes images of espionage, militarism, geopolitics and stern men speaking tersely in jargon that is only comprehensible to those with a working knowledge of the genre. Pawel Pawlikowski (“The Woman in the Fifth”) defies such expectations with his film Cold War, a starkly beautiful romance that deftly…

Movie Review: Disobedience (2017)

The desire to transcend the environment in which you were raised and choose your own direction in life is central to Disobedience, a clash between religious orthodoxy and the desire for sexual freedom. Adapted from Naomi Alderman’s novel of the same name, it is the first English-language effort for Chilean director Sebastian Lelio whose critically…

Movie Review: Lean on Pete (2017)

“Oh, God, make small the old star-eaten blanket of the sky, that I may fold it round me and in comfort lie” — T.E. Hulme, “The Embankment” When I first heard about British director Andrew Haigh’s (“45 Years”) Lean on Pete, it sounded like a warm, cuddly drama about horses, perhaps an updated version of…

Movie Review: You Were Never Really Here (2017)

It is a bold filmmaker who trusts film as film and allows the medium to communicate without recourse to exposition and dialogue. Such a filmmaker is Lynne Ramsey (“We Need to Talk About Kevin”), whose latest offering, You Were Never Really Here, is a brilliantly brutal assembly of image and sound that never displays any…

Movie Review: The Killing of a Sacred Deer (2017)

The digital age is slickly skewered on the sharp blade of a knife that cuts a clean swath of revenge through a wealthy family’s existence in sick satirist Yorgos Lanthimos’ genre-blurring The Killing of a Sacred Deer. Lanthimos buries his satirical observations deep and then brushes away select portions of the surface to reveal grim…

Movie Review: Una (2016)

In Una, the powerful screen adaptation of David Harrower’s play “Blackbird” about the sexual abuse of a thirteen-year-old girl, Australian director Benedict Andrews does what has become increasingly uncommon in modern cinema — he makes us think. While it may be uncomfortable to look outside of the reassuring categories of victim and victimizer, Andrews asks…

Movie Review: T2 Trainspotting (2017)

Over two decades ago, the British film scene was drastically up-rooted and challenged by the likes of an ambitious, dangerously addictive film centered on a closely knit group of Scottish junkies. That, and dead head-twisting babies crawling on ceilings. Danny Boyle’s on-screen adaptation of Irvine Welsh’s “Trainspotting” was a definite first in venturing into explicit…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger