Magnolia Pictures

Movie Review: I Am Not Your Negro (2016)

In the modern-day cinematic era reflecting racial divide, audiences are treated to their share of sensational discord, divisiveness, distrust and destruction with impacting, yet familiar fare, such as 2016’s offering of the immensely received “The People v. O.J. Simpson: American Crime Story” and even the profoundly thought-provoking and absorbing male-bonding drama “Moonlight” that speak the…

Movie Review: Gimme Danger (2016)

In memoriam: American Democracy Mystics heal borders. They are the frontiers’ physicians. Surgeons of the lines. As scalpels come their words, their prayers that no one hears, for no one knows silence better than those whose words shall meet no ears. As scalpels come their prayers, immersed all in flesh and blood, in infatuated vessels…

Movie Review: The Handmaiden (2016)

Occupied village. Crying babies. Mothers many. Babies doze. Japanese colony. Korean village. Woman leaves. Baby stays. Both cry. Off goes. Jap’s house. The opening scene of Park Chan-wook’s The Handmaiden leaves no room for blinking. That is the secret of its hypnotic pace swimmingly swinging from a contemplative eye which leaves it all to a…

Movie Review: Little Men (2016)

American philosopher William James said that, “Reality, life, experience, concreteness, immediacy, use what word you will, exceeds our logic, overflows, and surrounds it.” This statement is especially true for children whose goals and dreams are subject not only to the real problems they face but are in part determined by their parent’s ability to handle…

Movie Review: Sunset Song (2015)

The father of former San Francisco Mayor Jack Shelley once told him, “The day you forget where you came from, you won’t belong where you are.” This advice is not lost on Chris Guthrie (Agyness Deyn, “Clash of the Titans”), a young woman coming of age in Terence Davies’ (“The Deep Blue Sea”) Sunset Song….

Movie Review: High-Rise (2015)

Jean-Paul Sartre famously wrote that hell is other people. Ben Wheatley and Amy Jump’s adaptation of J. G. Ballard’s 1975 novel takes this premise to its (il)logical conclusion, as, in an ironic twist on the title, High-Rise depicts a steady descent into class war-induced delirium, as social and financial divisions steadily turn the eponymous building…

Movie Review: The Wave (2015)

Generally, part of the charm of international cinema is that it’s specifically and obviously not Hollywood cinema. So when something like the Norwegian disaster drama The Wave tries so desperately and artlessly to ape similarly themed Hollywood blockbusters, there’s a sense of overwhelmingly suffocating futility that plagues the project. Of course, if The Wave actually…

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