Paramount Pictures

Movie Review: The Cloverfield Paradox (2018)

Anthologies are a kind of a risk/reward endeavor. It’s a great way to keep a series fresh and innovative, especially as age goes against it, but iconography can often ruin those kind of plans. Remember when “Halloween” was supposed to be an anthology series? Not only did “Halloween” become too popular for its own good,…

Movie Review: Suburbicon (2017)

Suburbicon, the worst and even worse timed movie of the year, feels like someone put “Pleasantville,” “Fargo,” and the Vault Tech initiation videos from the Fall Out video game franchise into a blender in a grotesque, heavy on the white-splaning approximation of the recipe for “Do the Right Thing.” The resulting slop, entirely missing ingredients…

Movie Review: mother! (2017)

Darren Aronofsky has become a stalwart of complex themes bursting at subconscious seams with metaphor and symbolism throughout his impressive career. His darkly brutal handling of vivid despondency and ardent intentions has made his voice one of the most uniquely inspiring and eclectic in contemporary film. mother! has seemingly hit a crescendo of its director’s…

Movie Trailer: mother! (2017)

Madness has been a hallmark in Darren Aronofsky’s films (“Black Swan”), and it might be at its most feverish hour here in his upcoming mother!. Fittingly for a (deliciously secretive) psychological horror-thriller, Paramount Pictures, at midnight, released a full-length trailer for it, which has everything to cause the senses to panic. As the violin whips…

Movie Review: Baywatch (2017)

Here are a few things I learned from the film Baywatch: Movies adapted from television programs are almost always terrible (the few exceptions are “The Brady Bunch Movie” and the “Mission: Impossible” franchise; this also includes most films based on “Saturday Night Live” sketches); moronic writers who cannot think of clever lines or situations always…

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