Remember the opening of John Carpenter’s “The Fog”? A salty old man tells a spooky story beside a campfire, perfectly setting the folkloric tone, and then Carpenter introduces his sinisterly serene seaside town like it’s a sleeping, snoring creature . . . Well, do not expect such magical mood-building with Mary, a damp fishnet of…
With a title like The Man Who Killed Hitler and Then The Bigfoot, there are only so many paths a movie can take. At some point, the titular man is going to have to kill Hitler and then he’s going to have to kill the Bigfoot. There’ll be some blanks to fill, but that’s going…
Having already won an Academy Award for his short film “Helium,” director Anders Walter makes a strong feature film debut with I Kill Giants, a reasonably touching, visually captivating adaptation of Joe Kelly’s comic book series of the same name. The story centers around Barbara (Madison Wolfe, “The Conjuring 2”), a tenacious fifth grader who’s…
From Joe Lynch, director of “Everly,” comes Mayhem, an ugly mishmash of the zombie apocalypse and tower assault subgenres. Unwisely referencing “A Clockwork Orange” in the opening, with Rossini’s “The Thieving Magpie” overlaid on some stylized ultra-violence, Derek (Steven Yeun, “Okja”) explains the “IV7” virus via narration. It’s a condition which purportedly causes the sufferer…
Both the original “The Houses October Built” and its sequel, The Houses October Built 2, open with quotes about the dark, primal volatility of human nature. The first cites Walter Jon Williams’ well known “I’m not afraid of werewolves or vampires or haunted hotels, I’m afraid of what real human beings do to other real…
As The Mind’s Eye begins, white lettering on a black screen informs us that in the 1980s, federal funding was approved for private research facilities to study psychokinetic individuals, bringing them to their full potential. As expected, when held against their will in these facilities, those possessed with these abilities revolted against their captors. Next…
Kill or be Killed (originally “Red on Yella, Kill a Fella”) is the kind of movie you want to root for: A genre bending romp across West Texas that has everything from spaghetti/western tropes like combination brothel-saloons, flasks of whiskey passed around fires, and shootouts everywhere from chain gangs to churchyards, to horror related elements…
