Universal Pictures

Movie Review: The Mummy (2017)

For a film franchise that began in 1931 (with Boris Karloff in the original title role) and includes literally dozens of pictures, there are still some new things I learned from this latest edition (directed by Alex Kurtzman, “People Like Us”) of The Mummy. For instance, mummies and other otherworldly entities — even though buried…

Movie Trailer: American Made (2017)

Planes, running and Tom Cruise — three ingredients for a possible a box-office hit converge one more time in American Made, an action-comedy-thriller based on the life of Barry Seal, former pilot for TWA and drug smuggler for Pablo Escobar. It does not take long into this first trailer for chaos to brew with Seal,…

Movie Review: Split (2016)

For some, watching an M. Night Shyamalan film is an experience that fills them with dread. But this dread can be separated in two distinct camps: First, the good kind of dread that accompanied Shyamalan’s first blockbusters in Hollywood — “The Sixth Sense,” “Unbreakable,” “Signs” — all quietly unsettling thrillers that, despite some weaknesses, still…

Movie Review: The Fate of the Furious (2017)

While a great deal of uninformed critics seem to be falling all over themselves about The Fate of the Furious (the Rotten Tomatoes website actually states, “The Fate of the Furious opens a new chapter in the franchise, fueled by the same infectious cast chemistry and over-the-top action fans have come to expect.”), the eighth…

Movie Review: Get Out (2017)

One night, on a quiet neighborhood street, a black man walks along, minding his business, trying to remember directions he was given. He mumbles to himself about street names and how “confusing and scary-ass” the suburbs are (true story). A white Porsche creeps up behind him, eventually pulling ahead of him to idle near the…

Movie Review: Legend (2015)

One’s enjoyment (or better yet, interest) in Legend, as written and directed by Brian Helgeland (an Academy Award winner for “L.A. Confidential” and a Razzie winner for “The Postman”), will most likely hinge on one’s ability to understand the deep Cockney accent everyone speaks here (even a universal translator would not help with much of…

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