Working Title Films

Movie Review: Darkest Hour (2017)

Allen Packwood, director of the Churchill Archives Centre referred to former British Prime Minister Winston Churchill as an “incredibly complex, contradictory, and larger-than-life human being.” This complexity is lost, however, in Joe Wright’s (“Pan”) Darkest Hour, a look at a crucial time in British Prime Minister Churchill’s stewardship that covers the period from May 10,…

Movie Review: Victoria and Abdul (2017)

Based “mostly” on a true story (in other words, fictional), Stephen Frears’ (“Florence Foster Jenkins”) Victoria and Abdul is an ode to the warmth of simple friendship and the wonders of British colonialism. Based on the book by Shrabani Basu with a screenplay by Lee Hall (“War Horse”), it is an engaging film about the…

Movie Review: Baby Driver (2017)

For more than a decade, Edgar Wright has risen to become one the world’s more interesting filmmakers by innovating the action-comedy genre through homage and sharp satire with films like “Shaun of the Dead,” “Hot Fuzz” and “The World’s End.” Now Wright returns to bring his unique spin on the action-thriller genre. His foray, Baby…

Movie Review: Legend (2015)

One’s enjoyment (or better yet, interest) in Legend, as written and directed by Brian Helgeland (an Academy Award winner for “L.A. Confidential” and a Razzie winner for “The Postman”), will most likely hinge on one’s ability to understand the deep Cockney accent everyone speaks here (even a universal translator would not help with much of…

Movie Review: Hail, Caesar! (2016)

Have you ever hailed someone? You know, much more than just greeting, rather saluting in a profound, almost belittling veneration signaling an orderly obedience. Neither have I. I’ve been close, though. I’m too much of a fetishist to resist the temptation every now and then. My kind of people are artists and thinkers, preferably dead…

Movie Review: The Danish Girl (2015)

The story of Danish painter Einar Wegener’s transition into Lili Elbe seems tailor-made for cinematic examination. There’s a physical aspect that can be attended to visually as Lili (Eddie Redmayne, Oscar winner for “The Theory of Everything”) comes to the external forefront when Einar begins wearing dresses and wigs. And there’s a deeply internal aspect…

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