Tagged apocalypse

Movie Review: A Quiet Place (2018)

“Who are we if we can’t protect them?” Evelyn Abbott (Emily Blunt, “The Girl on the Train”) asks her husband Lee (John Krasinski, “13 Hours: The Secret Soldiers of Benghazi”) in one of the only scenes in A Quiet Place in which dialogue can even be heard. The “them” Evelyn is referring to are her…

Movie Review: Maze Runner: The Death Cure (2018)

At the end of “Maze Runner: The Scorch Trials,” Thomas (Dylan O’Brien, “Deepwater Horizon”) and his friends have finally found solace in the mountains with a resistance group known as the Right Arm. Teresa (Kaya Scodelario, “Pirates of the Caribbean: Dead Men Tell No Tales”) reveals to Thomas she has betrayed them and their newfound…

Movie Review: The Dark Tower (2017)

It is not often that one has reservations about a movie adaptation of an epic Stephen King novel series. Sure, there have been a few misses along the way (bound to happen considering how large King’s bibliography is), but it has been quite some time that a movie-going mishap has registered so profoundly as it…

Movie Review: Instapocalypse (2016)

Social media giant Instagram receives some light ribbing in Martin Sofiedal’s four minute short, Instapocalypse, which suggests that a world-ruining zombie apocalypse was actually caused by the public’s unhealthy obsession with their smartphones. This is all a comical setup, established in a clunky piece of expository dialogue, on which to hang a single scene where…

Movie Review: Graffiti (2015)

The end of the world is a lonely proposition in Lluís Quílez’s grim 30-minute short Graffiti, about a single survivor in a post-apocalyptic city who wanders around the shell of an empty apartment complex with his dog in search of food, people, anything. Edgar (Oriol Pla, “Year of Grace”) doesn’t have a lot to live…

Movie Review: Orion (2015)

Let’s get niceties out of the way first. The costume design, set design, effects and makeup — that part of Asiel Norton’s post-apocalyptic Orion is fine. It’s all good; probably a small beacon of pleasure to feel impressed by while watching. Everything else? Without any sense of hyperbole, Orion can not only at times present…

Movie Review: Turbo Kid (2015)

Post-apocalyptic times call for post-apocalyptic measures. The end of all ends elicits from us a fear that is as primal as it is endless. If it is true that individual death is a fear we all share — and a destiny we all shall fulfill — it is just as true that there is a…

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