The Nun, the fifth film in “The Conjuring” Universe, is a hugely flawed and underwhelming horror film that’s both plodding and formulaic. While the film, Corin Hardy’s sophomore directorial effort following 2015’s “The Hallow,” boasts convincing performances from scream queen Taissa Farmiga (“The Final Girls”) and Demián Bichir (“Alien: Covenant”), it fails to leverage its…
In a day where some churches feel that the larger donation you make, the closer you will be to God, and where the biggest donors are the ones despoiling the planet, there are several choices you can make: Blow yourself up and take some transgressors with you, accept it and internalize your despair, or find…
It’s a crime how rarely cinema objectively explores religion. While there remains plenty of lighthearted, faith-based fare tailored to specific churchgoing demographics, very rarely are audiences exposed to the challenging theological perspectives that lie buried underneath Lifetime-flavored fluff and grim, pessimistic horror clichés. Thankfully, in lieu of a fictionalized analysis, we have Deliver Us (Libera…
Can an independent comedy about 14th-century religious debauchery involving naughty nuns be a legitimate rib-tickler in a sluggish summer movie season of wacky, yet toothless, farces (e.g., “The House”)? Refreshingly it can be, especially if it is writer-director Jeff Baena’s boisterous and bawdy The Little Hours, a corruptible comedy that brings its satirical cynicism to…
There’s been a renewed interest in the Church of Scientology and that’s probably because of the commercial success of HBO’s “Going Clear: Scientology and the Prison of Belief” and A&E’s “Leah Remini: Scientology and the Aftermath” television series (there are a few other documentaries on the topic, but they mostly regurgitate the same talking points)….
After ten years in L.A., Becky Westlake (Brigid Brannagh, “The Nurse”), a successful artist and potter, has decided to venture out of her comfort zone in search of the perfect place to start over. Having successfully managed a gallery and making a name for herself, she’s decided she wants to find a home far away…
Writer-director Graham Jones (“The History Student,” “The Randomers,” “How to Cheat in the Learning Certificate”) can be astutely described as a lyrical Irish filmmaker with moving narratives that seem so personal and profound in dramatic simplicity. In Jones’s latest indie drama Nola and the Clones he helms yet another soulful exposition grounded in the given realities of…
