The great thing about genre is that it offers fans straightforward and familiar material, but it also allows filmmakers the space to come up with new interpretations within established formulae. This is especially true of horror, and the challenge for the filmmaker is to offer scares within the blend of familiarity and innovation. Bishal Dutta’s…
Welcome to the Circle, a cult in the middle of a remote forest. Blessings on you! Good tidings and all that! When a father and his daughter are attacked in the woods by a bear (maybe?), they find themselves rescued by The Circle, a small group consisting of lovely females and a bald leader who…
The third entry in the “Annabelle” series, a part of the extended “Conjuring” Universe, is Gary Dauberman’s directorial debut, Annabelle Comes Home. The scribe is close to the source, though, as he was responsible for scripts on 2014’s “Annabelle” and 2017’s “Annabelle: Creation,” as well as 2018’s “The Nun.” Luckily, Dauberman’s transition behind the camera…
Awakened in the night, young Sophie (Mackenzie Imsand) clutches her teddy bear and peers into the darkness of her room. She hears scary sounds and slips out of bed to investigate. She tiptoes closer to her parents’ bedroom, hearing shrieks and sounds of a struggle. When she reaches for the door handle, her mother suddenly…
The Nun, the fifth film in “The Conjuring” Universe, is a hugely flawed and underwhelming horror film that’s both plodding and formulaic. While the film, Corin Hardy’s sophomore directorial effort following 2015’s “The Hallow,” boasts convincing performances from scream queen Taissa Farmiga (“The Final Girls”) and Demián Bichir (“Alien: Covenant”), it fails to leverage its…
Few franchises have been as financially successful and beloved as the low budget darling that is Leigh Whannell’s “Insidious” franchise. The initial installment, “Insidious” was praised for it’s vintage, minimalist approach and boasted a $97 million dollar box office gross against a $1.5 million dollar budget. It’s balanced execution of claustrophobic cinematography and traditional jump…
From Andrew Wiest, director of the Christian fable “The Adventures of Chris Fable” (no, really), a bargain bin supermarket exclusive from 2010, comes The Forlorned, an inept, micro-budget horror movie. It aims low and delivers; and although it fundamentally fails as a horror movie — or indeed any kind of a movie seeking to tell…
