Tagged doctor

Movie Review: Death Wish (2018)

Interestingly Death Wish, the millennial-era remake of the gritty mid 70’s crime thriller of the same name, notoriously arrives in theaters at an increasingly awkward moment in a divisive national climate (particularly in the aftermath of the most recent high school shooting) where the political stakes regarding gun violence in America are at an all-time…

Movie Review: Double Lover (2017)

It is fitting that there are two competing readings of François Ozon’s Double Lover. The film dually presents as a highly stylized, seductively sleek French psychosexual thriller and this “I Know Who Killed Me”-esque overtly overly symbolic camp. Not wanting to assign one dominance over the other or perhaps unable to distinguish between apparent equals,…

Movie Review: The Killing of a Sacred Deer (2017)

The digital age is slickly skewered on the sharp blade of a knife that cuts a clean swath of revenge through a wealthy family’s existence in sick satirist Yorgos Lanthimos’ genre-blurring The Killing of a Sacred Deer. Lanthimos buries his satirical observations deep and then brushes away select portions of the surface to reveal grim…

Movie Review: That Trip We Took with Dad (2016)

In 1968, the First Secretary of the Communist Party of Czechoslovakia, Alexander Dubcek, ushered in a program of reforms that he called “Socialism with a human face.” The new “Action Programme” allowed greater freedom of speech, press, and travel, limited the power of the secret police, and raised the possibility of democratic elections. The achievement…

Movie Review: The Shadow Effect (2017)

The dreadful The Shadow Effect, equal parts 80s action movie and 90s conspiracy thriller, is one of those movies that starts out puzzling and ends up incomprehensible. Overplotted and overacted, the movie is as subtle as a heart attack in a public library. It’s not, however, weighed down by such niceties as nuance and cleverness,…

Movie Review: Split (2016)

For some, watching an M. Night Shyamalan film is an experience that fills them with dread. But this dread can be separated in two distinct camps: First, the good kind of dread that accompanied Shyamalan’s first blockbusters in Hollywood — “The Sixth Sense,” “Unbreakable,” “Signs” — all quietly unsettling thrillers that, despite some weaknesses, still…

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