The Strangers: Prey at Night opens in the late afternoon with two parents preparing the minivan for a trip to take their daughter to boarding school. As Mike (Martin Henderson, “Everest”) loads suitcases into the back, Cindy (Christina Hendricks, “The Neon Demon”) knocks softly on the door frame and tells her daughter, Kinsey (Bailee Madison,…
Suburbicon, the worst and even worse timed movie of the year, feels like someone put “Pleasantville,” “Fargo,” and the Vault Tech initiation videos from the Fall Out video game franchise into a blender in a grotesque, heavy on the white-splaning approximation of the recipe for “Do the Right Thing.” The resulting slop, entirely missing ingredients…
Delivering this week’s cautionary social media commentary (there’s more to life than Likes, kids!) with the subtlety of an internet meme, here’s a wholly unoriginal horror about unlikeable idiots being tortured by a cookie-cutter movie maniac. There’s a reason why jock douchebags don’t tend to get the horror limelight, and Don’t Hang Up is the…
Deadly Virtues: Love.Honour.Obey., the latest film from Ate De Jong — the Dutch veteran director whose career goes back to and beyond “Drop Dead Fred” — is a raw, creepy, silly, and ultimately fairly powerful captive thriller. De Jong makes good use of his deliberately bland single location and draws intense performances from his small,…
Don’t Breathe opens with a floating aerial shot over a picturesque neighborhood street. Birds chirp happily as the sun warms the trees and houses with a golden glow. From behind, we approach a man walking down this quiet street, and we discover with horror that he’s dragging something behind him — the body of a…
I feel horror movies have grown more derivative than innovative as of late. The recent influx of supernatural horror has begun to wear out the genre’s tropes, and while every once in a blue moon we get a critical and audience darling like “The Conjuring” that’s only after we finish wading through a litany of…
