Tagged murder

Movie Review: Camp Death III in 2D! (2018)

Think of the worst movie you’ve ever seen. There surely were some redeeming qualities, right? Maybe it was so bad it was unintentionally funny. Maybe it was plotless but didn’t seem to take itself too seriously. Maybe the dialog was weak, but the actors somehow came out unscathed. Maybe it had naked people in it….

Movie Review: Ugly Sweater Party (2018)

There is a certain tension when it comes to reviewing comedy-horror. Criticize its more risible aspects and there’s an inherent get-out-of-jail-free card in the fact that it’s spoofing that which we usually take seriously. Therefore, what use is serious criticism? And serious Ugly Sweater Party is not. The blooper reel at the end of Aaron…

Movie Review: Budapest Noir (2017)

News Vendor: “I’m leaving.” Gordon: “Why?” News Vendor: “I found out I’m Jewish.” Gordon: “But you fought in the war.” News Vendor: “Tell it to the person that threw a rock at my window.” Gordon: “This is Budapest.” Budapest Noir, directed by Éva Gárdos (“American Rhapsody”) transports us to the Budapest of 1936. Zsigmond Gordon…

Movie Review: London Fields (2018)

One of the main aims of a whodunnit mystery movie is to ensure that the audience doesn’t guess who done it, so by that metric, London Fields misses its mark entirely. It’s the rare movie that plays its cards so early that anyone paying even a sliver of attention during the first two minutes can…

Movie Review: Silencer (2018)

Caught between action flick thrills and hefty existential drama, Timothy Woodward Jr.’s film, Silencer, ends up in an unconvincing purgatory which neither excites or provokes. We open with a squad of US Marines in Iraq. It’s all radio banter and “Copy that!” and it looks like it’s been filmed with sunglasses over the lens, so…

Movie Review: Night Comes On (2018)

Night Comes On is a powerfully told and emotionally intelligent feature debut from director Jordana Spiro. By focusing on creating a connection with their characters, Spiro and co-writer Angelica Nwandu infuse an otherwise typical story with not only originality, but also care and empathy. Night Comes On thus becomes neither a coming-of-age tale nor a…

Movie Review: Unfriended: Dark Web (2018)

When I reviewed the first “Unfriended” film in 2015, I described it as a time capsule; an inside joke between its creators and anyone familiar with the technology it uniquely and realistically integrated that would only fully pay off if/when, years later, its original audience watched younger, uninitiated viewers try to understand it outside of…

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