Director Andy Goddard’s British war drama, Six Minutes to Midnight, starts off strong — with sweeping tracking shots of the English coast, fitting period attire, and an underlying sense of “doom” matching a continent on the brink of war. In fact, the film’s opening act is quite intriguing — dropping viewers into a peculiar English…
The mission brief to Ghosts of War is simple: Five American soldiers must defend a chateau in 1944 Normandy, that, as luck would have it, is apparently haunted. Sadly, however, this trope-laden plot is the only pillar of stability in an incomprehensible mess of a film, which burns like a ragged bullet-wound to the stomach….
The Von Trapp family singing their way across the Alps from Austria to Switzerland in “The Sound of Music” is an iconic image in cinema history. While it has its devoted fans, “The Sound of Music” also attracts criticism for its sugar-coating of one of the darkest chapters in human history. A more somber tale…
The World War II satire Jojo Rabbit is a daring mockery with war-themed carnage as a surreal backdrop that combines misplaced idolization with an unconventional coming-of-age tale for a young boy. Indeed, filmmaker Taika Waititi (“Thor: Ragnarok”) is wading in rough waters with a strange take of unusual growing pains — particularly when his featured…
A reasonable question many people may raise regarding Sobibor, a feature film about the Holocaust in general, and about a particular concentration camp, in particular, is what can it add to our understanding of the nature of the “final solution” by those that perpetrated it, and those that fell victim to it? It’s true that…
Reinert Kiil is the Norwegian director responsible for the sort-of-okay slasher “Christmas Blood” (“Juleblod”). If that film was a brooding modernization of “Silent Night, Deadly Night” then The House (“Huset”) must be his re-imagining of “The Conjuring.” On the surface it’s an interesting new twist on the familiar, demon-possessed madhouse setup. Two Nazi soldiers are…
Let’s get this out of the way immediately. Overlord isn’t another “Cloverfield” film. Not even a secret one. No twist in the third act, no Easter eggs, no post-credits scene. Much as I like the whole “Twilight Zone” mystery box thing the franchise has going for it, “The Cloverfield Paradox” was a major fumble and…
