Are You Glad I’m Here is the first feature film directed by Noor Gharzeddine, a Lebanese-American director who appears equally at home in presenting Kirsten (Tess Harrison), a 24-year-old American who has found herself working as an English teacher in Beirut as she does in portraying the middle-class Lebanese family that lives next door. It…
Not since “The Electric Horseman” in 1979 have we had the distinct pleasure of seeing two outstanding actors, Robert Redford (“All Is Lost”), now 81, and Jane Fonda (“Youth”), now 79, working together in the same film. That situation has now changed with the release of Our Souls at Night, directed by Ritesh Batra whose…
Suburbicon, the worst and even worse timed movie of the year, feels like someone put “Pleasantville,” “Fargo,” and the Vault Tech initiation videos from the Fall Out video game franchise into a blender in a grotesque, heavy on the white-splaning approximation of the recipe for “Do the Right Thing.” The resulting slop, entirely missing ingredients…
Indeed director Stella Meghie’s (“Jean of the Joneses”) teary-eyed tale of pain and young love in the debilitating drama Everything, Everything may be a well-meaning, symbolic serving of the “fragile-heart-yet-winning-spirit” in the eyes of the targeted impressionable teenyboppers harboring such oscillating emotions. However, for discerning others this manufactured, saccharine-coated, junior-sized Lifetime Movie made for the…
In The Shepherd, we meet Anselmo (Miguel Martín, “Cell 211”) on a day much like any other in his modest, repetitive life. He wakes up in his one-room farmhouse. He feeds his precious dog Pillo, he has breakfast, he showers. He spends the day with his sheep, reading and skimming stones when time permits. He…
What a squandered opportunity for director Greg Mottola to churn out a generically noisy suburban spy spoof in the toothless comedy caper Keeping Up with the Joneses. Woefully strained and exhaustive, Mottola’s off-kilter espionage bag of cheap chuckles barely manages to scrape off a scattered selection of smirks here and there. It never takes full…
The ambitious psychological drama Blessid is sobering and challenging because of its unique brand of storytelling ambivalence. On one hand, director Rob Fitz’s (“God of Vampires”) unflinching narrative embraces the conventional elements of melodramatic mechanisms (i.e., the harried heroine, love and loss, strained marriage, the unlikely guardian angel, psychotic suitors, tortured childhood memories complimenting adulthood…
