Tagged New York City

Movie Review: Blue Iguana (2018)

Two ex-convicts working at a dead-end diner are given an opportunity to change things around when a lawyer proposes a heist, unaware that larger antagonistic machinations are hard at work. While this plotline is fairly standard as far as heist capers are concerned, Hadi Hajaig has cranked the tonal voltage up to eleven by infusing…

Movie Review: Colossal (2016)

Ignacio “Nacho” Vigalondo is such a breath of fresh air. He values creative concepts and playful storytelling over exhaustive explanations and trite plot turns. He is fully aware of the tropes he’s toying with and knows when to tweak them and by how much. He’s very good at engaging the audience and then recognizing that…

Movie Review: Ocean’s 8 (2018)

The favorable trend as of late is the recurring gimmick of gender-switching casting in films of previous familiarity. The craze was recently ignited — seemingly — by the 2016 Paul Feig-directed “Ghostbusters” estrogen-driven remake to this year’s earlier released “Overboard” remake with Anna Faris and Eugenio Derbez demonstrating the sex role reversal routine. So who…

Movie Review: Wonder Wheel (2017)

Despite the way Wonder Wheel crashed and burned during the awards season, I figured it had potential due to it being a Woody Allen production. Although Woody’s a crapshoot for me these days, I never put much faith in the critical consensus around his recent movies (plus this one is about 1950’s Coney Island as…

Movie Review: I Feel Pretty (2018)

What is the cost to become beautiful? To be considered beautiful? Deep(ish) questions like that usually reside in dramas, but they can also be thoughtfully explored in comedies. It is this subject (among others like friendship and self-worth) that comedian and actress Amy Schumer tackles in her new film, I Feel Pretty. Although she stumbled…

Movie Review: Golden Exits (2017)

I enjoyed writer/director Alex Ross Perry’s Golden Exits well enough at first. Yet as my chronological distance from the project increases, so too do my annoyances with its gender power dynamics. The film follows six very specific Brooklynites whose lives are vaguely intertwined and then thrown into further disarray when a young, beautiful Australian disrupts…

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