Tagged robot

Movie Review: Godzilla vs. Kong (2021)

Someone at Warner Bros. needs to learn the value of taking time. Since the halcyon (and pre-published) days of the Wizarding World, the studio has demonstrated a tendency to rush their franchises. Despite 2014’s superb “Godzilla” and 2017’s impressive “Kong: Skull Island,” the subsequent installments, 2019’s “Godzilla: King of the Monsters” and now Godzilla vs….

Movie Review: Bill & Ted Face the Music (2020)

A hearty laugh is needed during times like these. And what better way to get one than to see the lovable idiots, Bill S. Preston, Esq. and Ted Theodore Logan, return from a 29-year hiatus in their third movie installment, Bill & Ted Face the Music? Well apparently there must be other ways because, unfortunately,…

Movie Review: Terminator Genisys (2015)

Terminator Genisys marks the fifth installment in the beloved franchise but it’s not, unfortunately, made for fans. Or anyone else for that matter. The script, written by Laeta Kalogridis (“Shutter Island”) and Patrick Lussier (whose biggest claim to fame is “Drive Angry”), does as much as it can to bring those uninitiated with the series…

Movie Review: Avengers: Age of Ultron (2015)

Probably one of the more eagerly awaited sequels in recent memory, Avengers: Age Of Ultron crafted by Marvel Studios/Disney and directed by Joss Whedon, makes a decent entry into the second-film-of-the-franchise market, but does not supersede the original in acting, writing or humor (so one can forget the “The Empire Strikes Back,” “Superman II” and…

Movie Review: Ex Machina (2015)

Science fiction has long explored the question of what it is to be human. This philosophical topic has involved different non-human figures, such as extra-terrestrials in “Invasion of the Body Snatchers” and “Avatar,” clones in “Never Let Me Go” and “The Island” and perhaps most frequently, artificial intelligence. Films such as “Metropolis,” “2001: A Space…

Movie Review: Chappie (2015)

Over the course of three films, Neill Blomkamp has demonstrated a consistent interest in the body and the effects of the world upon it. “District 9” featured transformation into the undesirable while “Elysium” highlighted the inscription of class divisions onto the body. Chappie continues this conceit but with a reversal of Blomkamp’s debut — rather…

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