Tagged survival

Movie Review: Molly (2017)

Molly (Julia Batelaan, “Kill Mode”) is Max Rockatansky, Furiosa and Katniss Everdeen all rolled into one. Sounds pretty spectacular, right? While totally rad(iated) in concept, this micro-budget action epic, Molly, from directors Colinda Bongers and Thijs Meuwese is pretty unwatchable in execution. The setting is “Sunder Land,” which will greatly amuse fans of Northern English…

Movie Review: Overlord (2018)

Let’s get this out of the way immediately. Overlord isn’t another “Cloverfield” film. Not even a secret one. No twist in the third act, no Easter eggs, no post-credits scene. Much as I like the whole “Twilight Zone” mystery box thing the franchise has going for it, “The Cloverfield Paradox” was a major fumble and…

Movie Review: Jonathan (2018)

If you feel that your body holds two distinct personalities, perhaps one public and the other private, you are not alone. Many people display different sides of their personality at different times. For most people, however, the condition, what might be described as the “Dr. Jekyll and Mr. Hyde” syndrome, can be classified as “psychological”…

Movie Review: Shoplifters (2018)

The great Japanese director Hiorkazu Koreeda (“The Third Murderer”) continues his exploration of the true meaning of family In Shoplifters (Manbiki kazoku), a quest he began in his award-winning 2013 film, “Like Father, Like Son.” Winner of the Palme d’Or award at the 2018 Cannes Film Festival and the first Japanese film to win the…

Movie Review: The Toybox (2018)

Ah, the simple joys of the family vacation. The great outdoors. The open road. The company of loved ones. The mobile home haunted by the superpowered spirit of a homicidal madman. Charles (Greg Violand, “Carol”) is the owner of the “Toybox” — a ramshackle RV — and he’s joined by his son Steve (Jeff Denton,…

Movie Review: The Meg (2018)

The path to success for a giant shark movie seems pretty simple and straightforward until you see something like The Meg. What more does a giant shark movie need than: A giant shark Some people to eat A sense of humor A few well-timed jump scares The Meg, the finally birthed form of a long-gestating…

Movie Review: Blood Fest (2018)

Tonal balance can be an esoteric, intangible concept: An alchemy of ingredients which depends upon a fluency in film language, particularly when attempting to combine ostensibly conflicting elements. Comedy-horror films rarely get the balance right, and in this Age of Meta it’s arguably even more difficult. Blessed with an intriguing setting, but cursed with a…

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