I always enjoy reviewing the first film of the year because, as many of you know, January is largely reserved for contractual releases and studio throwaways. Alas, it’s 2012 and we’ve only 11 months before utter chaos, so I’m savoring the opportunity to rip apart William Brent Bell’s The Devil Inside. A faux-documentary, it examines…
Be careful if you prefer your movies wrapped up in a pleasant little bow with an obvious beginning, middle, end, and with all questions and conflicts answered and sorted out. Certified Copy raises hundreds of absorbing and metaphysical questions, none of which will be answered for you at the end. In fact, the audience is…
Ong Bak 3 picks up exactly where its immediate predecessor ended. But can anyone actually recall the events of 2008’s disappointing Ong Bak 2: The Beginning? It was a dour mess; a confused jumble of leaden action scenes, montages and flashbacks without a modicum of comprehensible storytelling. Ong Bak 3 continues the decline in quality…
British film director Steve McQueen’s 2008 debut film, Hunger, is notable for many reasons: It is a great film, a great debut film, uses an innovative narrative structure, uses interesting cinematography in concert with its soundtrack, makes the best use of ambient sound to have the best non-musical soundtrack I’ve heard in a long time…
Bill Cunningham can’t be bought. He is there to observe and to take pictures, not to consume the fancy meal or mingle with the celebrities; a line which most individuals in his position would most likely blur. Bill has a section of the Sunday New York Times Style section where he will point out a…
It’s doubtful that any Christmas stories are as omnipresent as Charles Dickens’ “A Christmas Carol.” Since cinema’s very inception, there have been tons of motion picture adaptations of this 1843 novella, as well as spoofs and updated variations (the Muppets, Mickey Mouse and even Mr. Magoo have all tackled this Yuletide morality tale). In addition,…
For Tony Jaa, 2003’s Ong-bak was essentially his debutante ball, as it introduced the nimble performer and his phenomenal fighting skills to worldwide movie-goers. Wirework and digital effects are the norm in this day and age, but Jaa is the real deal: He actually performs death-defying stunts and leaps, and actually lands brutal aerial blows…
