Movie Reviews

Movie Review: Red Room (2017)

Red Room starts somewhere in Dublin, as a woman named Kyra (Amy Kelly, “Red Rock” TV series) walks home alone at night. A lost cellphone rings on the tarmac. She picks it up. Distracted, she’s grabbed from behind and bundled into a van. She wakes up in a room, locked in chains, along with two…

Movie Review: Triple Frontier (2019)

J.C. Chandor’s (“All Is Lost”) Amazonian heist thriller, Triple Frontier, has a stellar cast and equally impressive cinematography — as some of Hollywood’s most recognizable stars traverse South American rainforests and mountainous peaks to lift hundreds of millions of dollars off a local drug lord. While some of the narrative feels somewhat tired — as…

Movie Review: Yardie (2018)

The director’s chair being filled by established actors is becoming an increasingly popular card for Hollywood to pull these days, albeit with wildly varied results. Up until this point, the receptions of those films in a way mirror the novice auteurs behind the camera; Bradley Cooper’s “A Star Is Born” — perhaps you’ve heard of…

Movie Review: Never Look Away (2018)

“Beauty is truth, truth beauty, —that is all / Ye know on earth, and all ye need to know” — John Keats While it is generally agreed that imagination plays a prominent role in artistic creation, it is apparent to all but some academics and literary biographers with a particular agenda, that art cannot exist…

Movie Review: Velvet Buzzsaw (2019)

For a film with a tantalizing title like Velvet Buzzsaw, it sure is disappointing. What a shame. The talented cast, with the likes of Jake Gyllenhaal (“Stronger”), Rene Russo (“Thor:The Dark World”), Toni Collette (“Hereditary”) and a criminally underutilized John Malkovich (“Warm Bodies”), try their best to salvage the poorly thought-out narrative. However, it is…

Movie Review: The House (2016)

Reinert Kiil is the Norwegian director responsible for the sort-of-okay slasher “Christmas Blood” (“Juleblod”). If that film was a brooding modernization of “Silent Night, Deadly Night” then The House (“Huset”) must be his re-imagining of “The Conjuring.” On the surface it’s an interesting new twist on the familiar, demon-possessed madhouse setup. Two Nazi soldiers are…

Movie Review: Arctic (2018)

Much like the immediate outlook of its unlucky characters, the details are stark in Arctic. In Joe Penna’s pulls-no-punches survivalist drama, the seemingly skyscraper-sized “SOS” carved out in deep snow; the remains of a grounded, battered plane that looks like it’s flown through hell and back; and the pop of red of a winter coat…

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