Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.


Movie Review: Resistance (2020)

The Von Trapp family singing their way across the Alps from Austria to Switzerland in “The Sound of Music” is an iconic image in cinema history. While it has its devoted fans, “The Sound of Music” also attracts criticism for its sugar-coating of one of the darkest chapters in human history. A more somber tale…

Movie Review: The Hunt (2020)

The horror genre relies, to an extent, on the utilization of familiar tropes. The use of these tropes can reward and subvert expectations, and how these tropes are used contributes to the film’s effectiveness. Audience familiarity is both an opportunity and a difficulty for filmmakers: Give the audience what they want and they welcome it,…

Movie Review: Color Out of Space (2019)

H. P. Lovecraft, writer of weird and horror fiction, creator of Cthulu mythos and widely revered/reviled literary figure. Richard Stanley, director of “Incidents in an Expanding Universe,” “Hardware,” “Brave” and, originally, “The Island of Dr. Moreau” before powerful and irresistible forces wrested that particular beast from his grasp. Nicolas Cage, Oscar-winning actor, prolific performer, butt…

Movie Review: Motherless Brooklyn (2019)

Edward Norton is an odd duck. When he burst onto the scene with 1996’s “Primal Fear,” he matched beats with more seasoned stars Richard Gere, Laura Linney and Francis McDormand, and earned an Oscar nomination for his trouble. Subsequent roles in “American History X,” “Fight Club” and “25th Hour” led to him being hailed as…

Movie Review: Knives Out (2019)

The whodunnit provides a certain kind of cinematic pleasure. The crime which is never straightforward. The host of suspects, all with motives and sometimes conflicting alibis. The elaborately twisting plot where half the fun is not knowing and the other half finding out. Through the decades and across media from literature to film to television…

Movie Review: The Irishman (2019)

After a long and difficult road for Martin Scorsese’s crime epic memoir, all the ingredients are present for a masterful piece of cinema. The talent includes eight Oscar winners: Director Scorsese, screenwriter Steven Zaillian, editor Thelma Schoonmaker, costume designer Sandy Powell, as well as four Oscar-winning performers — Robert De Niro, Al Pacino, Joe Pesci…

Interview: Morgan Spurlock

Morgan Spurlock burst (at the seams) onto the documentary scene in 2004 with his exposé on fast food, “Super Size Me.” Since then he’s directed and produced a host of documentaries, culminating in his latest “Super Size Me 2: Holy Chicken!,” which is due out on iTunes and On Demand on December 9, 2019. In…

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