Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.


Movie Review: Terminator: Dark Fate (2019)

Here we go again. This is a phrase that can be uttered (silently, out of respect to fellow viewers) to many aspects of Terminator: Dark Fate. Sometimes it may be uttered with glee, other times with impatience or even exasperation. On the one hand, it demonstrates the continued appeal of James Cameron’s original creation. On…

Movie Review: Spiral (2019)

Like the more prominent “It: Chapter Two,” Spiral opens with a homophobic attack, one that is shown in all its distressing viciousness. From there, events spiral (sorry) into an eerie, menacing folk horror of cult, prejudice and scapegoating, in a manner that combines the best elements of “Get Out” and “Hereditary.” The film exposes prejudice…

Movie Review: Little Monsters (2019)

As lazy and obvious a comment as this is, Little Monsters is the Australian answer to “Shaun of the Dead.” From the interweaving of domestic and personal issues with the problems of a zombie outbreak, to the referential rendering of the undead and how they operate, writer-director Abe Forsythe displays a snappy wit, a warmth…

Movie Review: Joker (2019)

Shakespeare’s Richard III famously said I can smile, and murder while I smile. The Joker has long been a character who will smile and cackle while he murders and terrorizes. In previous cinematic incarnations, the Joker has been a crime boss fried in acid (Jack Nicholson), an anarchic terrorist (Heath Ledger) and a pimped out…

Movie Review: It: Chapter Two (2019)

Stephen King’s “It” has a long history. From the original novel to the 90s mini-series, an audio book and now two motion pictures, the battle between Pennywise the Dancing Clown and the Losers Club has frightened and fascinated generations of readers, listeners and viewers. Andy Muschietti’s big screen release of “It” in 2017 was a…

Movie Review: Ready or Not (2019)

Ready or Not was one of the highlights of London’s horror film festival FrightFest. Wonderful in its balance of scares and laughs, it brings together a fine cast with a viciously vibrant script and highly inventive direction. Much of the film’s genius comes from its central device of games, a device that structures both the…

Movie Review: Gwen (2018)

The horror genre allows many opportunities to explore opposition. The opposition may involve faith in “The Exorcist,” gender in “Rosemary’s Baby,” class in “The Texas Chainsaw Massacre” and sometimes all these and more, such as in “Drag Me To Hell.” With folk horror, the opposition is often between tradition and modernity, insiders and outsiders, new…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger