Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.


Movie Review: Ready or Not (2019)

Ready or Not was one of the highlights of London’s horror film festival FrightFest. Wonderful in its balance of scares and laughs, it brings together a fine cast with a viciously vibrant script and highly inventive direction. Much of the film’s genius comes from its central device of games, a device that structures both the…

Movie Review: Gwen (2018)

The horror genre allows many opportunities to explore opposition. The opposition may involve faith in “The Exorcist,” gender in “Rosemary’s Baby,” class in “The Texas Chainsaw Massacre” and sometimes all these and more, such as in “Drag Me To Hell.” With folk horror, the opposition is often between tradition and modernity, insiders and outsiders, new…

Movie Review: Yesterday (2019)

The Beatles are one of the most iconic, influential and beloved musicians, or indeed creative artists, of all time. As well as producing such bestselling albums as “The White Album,” “Abbey Road” and “Sgt. Pepper’s Lonely Hearts Club Band,” the Fab Four have been the subject of films, books, museums and anecdotes. They put Liverpool…

Movie Review: Spider-Man: Far From Home (2019)

Two teenagers walk along the Charles Bridge in Prague, and as they do so their fingers brush and they nearly take hold of each other’s hands. Nearly, but not quite, as teen awkwardness gets in the way and they lack the maturity to express themselves. This is a tiny moment in Spider-Man: Far From Home,…

Movie Review: Rocketman (2019)

The most dramatic sequences of 2018’s Best Picture, “Green Book,” involved the piano playing of Doctor Don Shirley. In another recent awards winner, “Bohemian Rhapsody,” the recreations of Freddy Mercury’s performances proved to be a high point. These sequences, well-rendered by directors Peter Farrelly and Bryan Singer, respectively, are put into the shade of the…

Movie Review: Booksmart (2019)

To describe Booksmart as “Superbad” with girls is to be reductive and overly simplistic. Nonetheless, it is a not inaccurate description of Olivia Wilde’s directorial debut, due to its winning combination of coming of age trials and tribulations, the strains upon teenage friendship and profane humor. However, these elements are combined in such a way…

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