Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.


Movie Review: Fighting With My Family (2019)

Fighting With My Family is a film of weird elements: The city of Norwich, England; wrestling, with all its “fixed but not fake” performances, alternative names and larger than life personalities; a very human and indeed true story of both pursuing and losing out on a dream. Based on the story of Saraya Knight aka…

Movie Review: Captain Marvel (2019)

The special forces sub-genre combines elements of the cop, spy and soldier film, and is characterized by jargon, hardware, institutionalized yet independent characters and almost-but-not-quite overwhelming odds. Notable examples include “Tears of the Sun,” “Zero Dark Thirty,” “Triple Frontier” and “The Expendables” franchise. Given their practice of taking established generic traditions and infusing them with…

Movie Review: Waiting For You (2017)

Waiting For You, the directorial debut of Charles Garrad, screened at the Norwich Film Festival in November 2018, followed by a Q&A with the director. Based on an original idea by Garrad and co-writer Hugh Stoddard, Waiting For You tells the story of a young man investigating the life of his father after the death…

Movie Review: The Isle (2019)

A spooky seaman’s tale, The Isle screened at Norwich Film Festival in 2018 with an introduction from co-writer and director Matthew Butler-Hart. Butler-Hart describes the film as influenced by slow-burn horror of the 1970s, and he also spoke about the inspiration for the story — Eilean Shona, an island off the coast of Scotland that…

Interview: Josh Trett

“The Black Shuck” is a short film from Norwich-based filmmaker Josh Trett. Based on the East Anglian legend of a ghostly black dog, it screened at festivals and is also available on Amazon. Critical Movie Critic writer Vincent M. Gaine caught up with Josh for the following discussion. VG: Vincent Gaine JT: Josh Trett

Movie Review: The Black Shuck (2018)

From North America to Scandinavia, from southern Europe to the Middle East, from the Himalayas to Australia, local myths are a common cultural feature. From the Jersey Devil to the Loch Ness Monster, from the Bunyip to the Yeti, people in particular areas perpetuate tales of mysterious creatures that appear and disappear. While never fully…

Movie Review: Cold War (2018)

The term “Cold War,” especially in cinema, usually evokes images of espionage, militarism, geopolitics and stern men speaking tersely in jargon that is only comprehensible to those with a working knowledge of the genre. Pawel Pawlikowski (“The Woman in the Fifth”) defies such expectations with his film Cold War, a starkly beautiful romance that deftly…

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