Articles by Vincent Gaine

The Critical Movie Critics

Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.

Movie Review: Ant-Man and the Wasp (2018)

It is a cliché to say that less is more. In the case of Ant-Man and the Wasp, Marvel excels in delivering the delights of smaller scales, both in the physical and emotional sense. After the weighty politics of “Black Panther” and the epic scale of “Avengers: Infinity War,” the latest entry in the Marvel…

Movie Review: Eaten By Lions (2018)

Britain has a great range of cities, some of which receive extensive cinematic treatment. London is the most iconic, but Manchester, Sheffield, Birmingham, Edinburgh and Glasgow have also graced the silver screen. But is there a more evocative, romantic, inspiring and fascinating city than that Las Vegas of the United Kingdom, that Dubai of England,…

Movie Review: Avengers: Infinity War (2018)

Over the past decade, Marvel Studios have proved time and again their mastery of the superhero genre. Central to this success is the combination of superhero tropes with other genres: World War II film with “Captain America: The First Avenger,” conspiracy thriller with “Captain America: The Winter Soldier,” heist movie with “Ant-Man,” high school comedy…

Movie Review: Obey (2018)

Obey lays out its elements early on, declaring its setting, its interest and its milieu from the opening shot. Yet, within this shot and throughout the film, writer-director Jamie Jones also defies expectation. In the opening sequence before the titles, a deep focus long take captures six young people work towards the camera, discussing the…

Movie Review: You Were Never Really Here (2017)

It is a bold filmmaker who trusts film as film and allows the medium to communicate without recourse to exposition and dialogue. Such a filmmaker is Lynne Ramsey (“We Need to Talk About Kevin”), whose latest offering, You Were Never Really Here, is a brilliantly brutal assembly of image and sound that never displays any…

Movie Review: Red Sparrow (2018)

With a CRACK! that delivers aural and narrative impact, Red Sparrow lays out its cards early on. This CRACK! occurs during a ballet and highlights a key tension of such a performance — any mistake can be disastrous. In this case, the incident involving the CRACK! does prove devastating and foreshadows the ruin to come….

Movie Review: Black Panther (2018)

Since 2008, the Marvel Cinematic Universe (MCU) model has introduced ingenious engineers, Norse gods, space raiders and sorcerers. These superpowered figures appear in films that incorporate elements from World War II movies, space opera, heist films, alien invasions and conspiracy thrillers. With varying levels of dramatic success, the framework of a superhero figure in [insert…

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