Crime

Movie Review: Suburbicon (2017)

Suburbicon, the worst and even worse timed movie of the year, feels like someone put “Pleasantville,” “Fargo,” and the Vault Tech initiation videos from the Fall Out video game franchise into a blender in a grotesque, heavy on the white-splaning approximation of the recipe for “Do the Right Thing.” The resulting slop, entirely missing ingredients…

Movie Review: Wetlands (2017)

In the midst of the devastation that was Hurricane Sandy back in 2012, New Jersey’s notorious play land, Atlantic City, was stripped to a bleak and torn terrain. First-time director Emanuele Della Valle uses this as a backdrop for his crime-drama film debut, Wetlands. The grey wasteland welcomes a once rogue Philadelphia cop, Babel (Adewale…

Movie Review: Wind River (2017)

Written and directed by Taylor Sheridan, the Oscar-nominated screenwriter of “Sicario” and “Hell or High Water,” Wind River is a murder mystery about the death of a young Native American women, found frozen in the snow. Part character study, part police procedural, and part political statement, it is a deeply disturbing film that contains graphic…

Movie Review: A Life Not to Follow (2015)

After a summer slew of big-budget studio films, it can be difficult to find, sit down and watch a movie with more modest origins. Yet for the second time in a row, director Christopher Di Nunzio manages to cross that threshold and craft an engaging narrative around seemingly finite resources. His latest, A Life Not…

Movie Review: Detroit (2017)

With Detroit, Oscar winning director Kathryn Bigelow (“The Hurt Locker”) and her team have put together a kick-in-the-mouth, knock-your-socks-off movie experience you won’t forget in a docudrama staging of the Detroit race-riots of 1967. Starting with a routine police raid of an illegal after hours club where the local residents harass the police as they…

Movie Review: Baby Driver (2017)

For more than a decade, Edgar Wright has risen to become one the world’s more interesting filmmakers by innovating the action-comedy genre through homage and sharp satire with films like “Shaun of the Dead,” “Hot Fuzz” and “The World’s End.” Now Wright returns to bring his unique spin on the action-thriller genre. His foray, Baby…

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