Freelance film critic based in Montreal, Québec, with an interest in everything genre cinema has to offer. Follow me on twitter @MaxFromQuebec.
Lady of the Manor marks Justin Long’s directorial debut after an illustrious career in many high-profile mid to late-2000s comedies. He co-directs the film with his brother Christian, who also makes his directorial debut. Together, they craft a rather middling and recycled comedy with . . . well . . . middling and recycled results….
After helming the disastrously unfunny “Dirty Grandpa,” director Dan Mazer returns with a more quiet and small-scale comedy than his tenure in shocking and gross-out humor. Mazer is mostly known for his Academy Award-winning “Borat” screenplay, and his collaborations with Sacha Baron Cohen are the funniest things he’s ever done. In The Exchange, he and…
Netflix’s latest film, Awake, has the most preposterous premise I’ve seen in a long, long time. One that can be easily debunked with basic kindergarten science. Some will say “suspension of disbelief!”, which is fine, but how can I suspend my disbelief when the entire plot device the film relies on is: Unexplained Scientifically improbable…
Directors Shari Springer Berman and Robert Pulcini return with Things Heard & Seen, a film with so many things going on, you can’t classify it as belonging to one particular genre/subgenre. It’s a psychological horror film, a ghost story, a couple drama, and a spirit flick that becomes imbued with religious imagery. If anything, you…
Melissa McCarthy and Ben Falcone are back, six months after the release of their last (and worst) film, “Superintelligence.” Their latest work, Thunder Force, is a superhero comedy telling the story of best friends Lydia (McCarthy, “Can You Ever Forgive Me?”) and Emily (Octavia Spencer, “The Shape of Water”), who become the superhero duo known…
2021 has been an incredible year for absurdist comedies that push the boundaries of socially acceptable humor to the extremes. Josh Greenbaum’s “Barb and Star Go to Vista Del Mar” is still the funniest (and best) film of the year (so far), but there’s a new competitor in town that dares to go back to…
Remember “Yes Man”? The 2008 Peyton Reed directed comedy, starring Jim Carrey, in his last great comedic leading role (in my opinion), as Carl — a man who obstinately says “No” to everything until he met a self-help guru who tells him to switch his “No” to “Yes.” This effectively simple word leads to amazing…
